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Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US)

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Home > Topics > Dark Model > Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US)
Categories: Dark Model and Music Placement. Tags: Oath, Remix, Verizon, Mobile, TV Commercial, United States, Sync License, Advertising, Digital distribution, and Videos. Formats: Gallery.
Dec 24, 2012

Dark Model “Oath (Dubstep Remix)” was licensed and featured in Verizon Wireless TV Commercial “Droid DNA -Extra Sensory” with its artwork.

https://ispot.tv/a/7wqH

“Oath (Dubstep Remix)” was newly mixed and included in Dark Model’s debut album. Hopefully, you will visit the album page for the details.



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    Dark Model "Oath (Dubstep Remix)" Out on Verizon Tones Store“Oath (Dubstep Remix)” Ringtones on Verizon Tones Store Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q4, 2013 Q1). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Winter 2013 – 2013 Lexus ES Advertising Campaign featuring Dark Model's music "Fate" and "Oath"Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US) Lee Daniels' movie "The Paperboy" (starring: starring: Matthew McConaughey, Zac Efron, Nicole Kidman, John Cusack & Macy Gray. Distributed by Millennium Entertainment)Dark Model’s Music Placement on the Movie “The Paperboy” TV Spot Dark Model 2014Dark Model – Oath (Dubstep Remix, Album version)
OathRemixVerizonMobileTV CommercialUnited StatesSync LicenseAdvertisingDigital distributionVideos
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

No Title
27 January 2026

最近のUK/USインディ・レーベルの音をチェックしていると、「インディ」とは思えないほど、新人でも随分豪華なミュージックビデオ(MV)を作っている。複数のAIに「販促・宣伝費はどうやって捻出するの?」と聞いたところ、「実質的にはアーティストがレーベルにローン(前借り)する形です。アーティストは“リスクは最初に負い、報酬は最後に得る存在”なのです」と返ってきた。そうした世界とは無縁に、音楽業を30年、レーベルを20年続けてこられたことは奇跡かもしれない。

OE – Warning (Reconstruction Mix) #electrofunk #techno https://youtube.com/shorts/GCF8N8svEyM

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