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Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US)

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Home > Topics > Dark Model > Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US)
Categories: Dark Model and Music Placement. Tags: Oath, Remix, Verizon, Mobile, TV Commercial, United States, Sync License, Advertising, Digital distribution, and Videos. Formats: Gallery.
Dec 24, 2012

Dark Model “Oath (Dubstep Remix)” was licensed and featured in Verizon Wireless TV Commercial “Droid DNA -Extra Sensory” with its artwork.

https://ispot.tv/a/7wqH

“Oath (Dubstep Remix)” was newly mixed and included in Dark Model’s debut album. Hopefully, you will visit the album page for the details.



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    Dark Model "Oath (Dubstep Remix)" Out on Verizon Tones Store“Oath (Dubstep Remix)” Ringtones on Verizon Tones Store Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q4, 2013 Q1). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Winter 2013 – 2013 Lexus ES Advertising Campaign featuring Dark Model's music "Fate" and "Oath"Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US) Lee Daniels' movie "The Paperboy" (starring: starring: Matthew McConaughey, Zac Efron, Nicole Kidman, John Cusack & Macy Gray. Distributed by Millennium Entertainment)Dark Model’s Music Placement on the Movie “The Paperboy” TV Spot Dark Model 2014Dark Model – Oath (Dubstep Remix, Album version)
OathRemixVerizonMobileTV CommercialUnited StatesSync LicenseAdvertisingDigital distributionVideos
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Tatsuya Oe Updated: December 12, 2025

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Microblog

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3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

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2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

No Title
1 November 2026

「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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