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Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US)

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Home > Topics > Dark Model > Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US)
Categories: Dark Model and Music Placement. Tags: Oath, Remix, Verizon, Mobile, TV Commercial, United States, Sync License, Advertising, Digital distribution, and Videos. Formats: Gallery.
Dec 24, 2012

Dark Model “Oath (Dubstep Remix)” was licensed and featured in Verizon Wireless TV Commercial “Droid DNA -Extra Sensory” with its artwork.

https://ispot.tv/a/7wqH

“Oath (Dubstep Remix)” was newly mixed and included in Dark Model’s debut album. Hopefully, you will visit the album page for the details.



You might also be interested in:
    Dark Model "Oath (Dubstep Remix)" Out on Verizon Tones Store“Oath (Dubstep Remix)” Ringtones on Verizon Tones Store Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q4, 2013 Q1). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Winter 2013 – 2013 Lexus ES Advertising Campaign featuring Dark Model's music "Fate" and "Oath"Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US) Lee Daniels' movie "The Paperboy" (starring: starring: Matthew McConaughey, Zac Efron, Nicole Kidman, John Cusack & Macy Gray. Distributed by Millennium Entertainment)Dark Model’s Music Placement on the Movie “The Paperboy” TV Spot Dark Model 2014Dark Model – Oath (Dubstep Remix, Album version)
OathRemixVerizonMobileTV CommercialUnited StatesSync LicenseAdvertisingDigital distributionVideos
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Tatsuya Oe Updated: December 12, 2025

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No Title
25 March 2026

創作の範囲が驚くほど多岐に渡るゲーテは、「過去を振り返って反省する」タイプではなく、「今の自分を作品に叩きつけたら、すぐさま次の新しい自己へ脱皮する」タイプだった。彼にとって書くことは自己形成の手段であり、書き終えた瞬間、その時の自分はもう次のレベルに移動していると考える。この姿勢には強く同感だ。自作への評価は光栄だが、僕にとって過去作は「当時の全力の落書き」のようなもの。常に脱皮し、「今作りたい音」を追い求めていたい。

ゲーテとの対話(完全版) https://amzn.to/4lXDpTw

No Title
25 March 2026

トランプのSNS投稿という、現代社会で最も信じてはいけないものに世界中が右往左往している。だが、これはもはや彼だけのせいではない。それに過剰反応する側の責任も大きい。彼の投稿をソースにコピペ記事を書く輩を「ジャーナリスト」と呼び、その一喜一憂にレバレッジをかけてギャンブルに励む輩を「投資家」と呼ぶのは、さすがに劣化しすぎだろう。と、そんな「どうでもいい現象」について、わざわざ時間を割いて書いている自分も、過剰反応なのか(笑)

実は「ギャンブル」と同じ?! 投資の本質を考えてみた | 週刊エコノミスト Online https://bit.ly/4bGaheE

No Title
23 March 2026

映画『マネーボール』で一躍有名になったアスレチックス。現在は低迷しているが、ビリー・ビーンによる「データを活用した選手起用」は当時は画期的だった。「良い選手を獲得する資金力のなさ」よりも「得点力のなさ」が真の問題だと気付くのに統計が役立ったという訳だ。メディアやSNSで人気者のアーティスト生活を夢見るのも悪くないが、「独立した音楽家として持続可能なキャリアを築く」ことを優先するならば、統計の知識は味方になってくれる。

映画『マネーボール』予告編 https://youtu.be/8Ln0ySlnxOs

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