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Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US)

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Home > Topics > Dark Model > Dark Model featured in Verizon Wireless “Droid DNA” TV Spot (US)
Categories: Dark Model and Music Placement. Tags: Oath, Remix, Verizon, Mobile, TV Commercial, United States, Sync License, Advertising, Digital distribution, and Videos. Formats: Gallery.
Dec 24, 2012

Dark Model “Oath (Dubstep Remix)” was licensed and featured in Verizon Wireless TV Commercial “Droid DNA -Extra Sensory” with its artwork.

https://ispot.tv/a/7wqH

“Oath (Dubstep Remix)” was newly mixed and included in Dark Model’s debut album. Hopefully, you will visit the album page for the details.



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    Dark Model "Oath (Dubstep Remix)" Out on Verizon Tones Store“Oath (Dubstep Remix)” Ringtones on Verizon Tones Store Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q4, 2013 Q1). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Winter 2013 – 2013 Lexus ES Advertising Campaign featuring Dark Model's music "Fate" and "Oath"Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US) Lee Daniels' movie "The Paperboy" (starring: starring: Matthew McConaughey, Zac Efron, Nicole Kidman, John Cusack & Macy Gray. Distributed by Millennium Entertainment)Dark Model’s Music Placement on the Movie “The Paperboy” TV Spot Dark Model 2014Dark Model – Oath (Dubstep Remix, Album version)
OathRemixVerizonMobileTV CommercialUnited StatesSync LicenseAdvertisingDigital distributionVideos
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
15 January 2026

布団にくるまり、何か映画でも見ようと思う。幸か不幸か、ジャン・リュック・ゴダールのドキュメンタリーに出会ってしまった。彼は時間芸術、とりわけ王道的な映画が持つ「物語性」を破壊することで革命と混乱を起こした。「物語を信じない」と斬り、自分の人生から作品に至るまで偶然や断片という眼差しで解体したのが、デヴィッド・ボウイだ。世界はいつしか物語まみれの時代に戻り、アルゴリズムに翻弄され、空虚な「辻褄合わせ」に躍起になっている。

【予告編】『ジャン=リュック・ゴダール 反逆の映画作家』 https://youtu.be/jnLjmJXJims

No Title
13 January 2026

エドワード・サイードの代表的著書『オリエンタリズム』で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、部外者)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの国に生まれた場違い」として(笑)、僕は彼の主張に一筋の光を感じる。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

No Title
13 January 2026

Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

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