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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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Dark Model – Hope Is Never Gone

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Home > Topics > Dark Model > Dark Model – Hope Is Never Gone
Categories: Dark Model and New Tracks.
May 20, 2014
Dark Model 2014

This is the next preview from Dark Model’s first album. It is an uplifting, trance-esque orchestral electronic track featuring minimalistic piano, strings & horn phrases, and marching drums.

With this track, I wanted to put some hopeful and positive energy into the album. It may come off as unexpected from the name of the project; I don’t intend to put any negative message into music under the name of Dark Model. Rather I aim at making music that can inspire and motivate listeners. Themes underlying this project are something like “how to live positively and move forward even when you are in the darkness” or “how to cope with the darkness (of the world, inside you, etc.)”.

For details of Dark Model’s first album, please refer to the album page.

BPM: 130
Keyword: Orchestral, Uplifting, Trance-esque, Inspiring, Motivational, Hopeful , Wistful, Edgy, Marching Band, Minimalism, Spine-Tingling, Exciting

Movie Directed by Paradise Jam
CG by Akao

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via Model Electronic License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

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28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

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27 January 2026

最近のUK/USインディ・レーベルの音をチェックしていると、「インディ」とは思えないほど、新人でも随分豪華なミュージックビデオ(MV)を作っている。複数のAIに「販促・宣伝費はどうやって捻出するの?」と聞いたところ、「実質的にはアーティストがレーベルにローン(前借り)する形です。アーティストは“リスクは最初に負い、報酬は最後に得る存在”なのです」と返ってきた。そうした世界とは無縁に、音楽業を30年、レーベルを20年続けてこられたことは奇跡かもしれない。

OE – Warning (Reconstruction Mix) #electrofunk #techno https://youtube.com/shorts/GCF8N8svEyM

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Dark Model 2014
Dark Model – Candle in the Desert

Dreamy, psychedelic ambient soundtrack from Dark Model’s first album, featuring lyrical piano and gradual build-up with minimal orchestral and guitar...

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