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Music Placements for TV, Film & Advertising – 2016 Spring –

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Home > Topics > Music Placement > Music Placements for TV, Film & Advertising – 2016 Spring –
Categories: Music Placement. Tags: TV Commercial, United States, South Korea, Sync License, Film, Canada, TV Program, Italy, and Advertising.
Jul 7, 2016
Sausage Party

These are examples of network TV programs, Films, and companies/brands where Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities. As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company names and brands are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include some ones which occurred before 2016 as we often receive their reports with some delay.

Branding Campaign / Advertising / Corporate (Broadcast TV/Web/Event), etc

Lancome (Luxury Cosmetics, France) “Rénergie Lift Multi-Action”
LG Electronics (Electronics, South Korea) “LG 360 CAM”
Landa Corporation (Digital Printing Technology, Israel)
Hollister Co. (Apparel, US) “Instajoy”
Specialized (Bicycles and related products, US) “Tour of California,””I Am Specialized,””Major Tom,” etc (details)
Alpinestars (Motorcycle and auto racing gears, Italy) “How Fast is Fast?”
Columbia Sportswear (Sportswear, US) “Tested Tough In Costa Rica”
Fox Head (Sporting goods, US) “Motormouths”
SK Planet (Technology, South Korea)
Grey Global group inc (Advertising Agency, US)
Leo Burnett (Advertising Agency, US)
Comm Promo (Advertising Agency, US)
and many more clients and placements.

Movie / Trailer / TV Promo / Network TV Program (Excerpt)

Sony Pictures “Sausage Party” (Movie, US, starring: Seth Rogen, Kristen Wiig, James Franco, Edward Norton, Salma Hayek, etc)
Mr X Inc. (Motion graphics, Canada) “2016 Reel”
“Vaters Garten – Die Liebe meiner Eltern” (Movie, Germany, director: Peter Liechti, English title: “Father’s Garden – The Love of My Parents”)

Vaters Garten - Die Liebe meiner Eltern

National Geographic “Jobs That Bite!,””Get rich or die mining,””Going Deep with David Rees,” etc.

Jobs that bite

MTV “Brothers Green Eats,””Guy Code,” etc
Brothers Green Eats

VH1 “T.I. & Tiny: The Family Hustle,”Love and hip hop Atlanta”

T.I. & Tiny: The Family Hustle

Esquire Network “Car Matchmaker with Spike Feresten,” “Boundless”

Car Matchmaker with Spike Feresten

Other channels: AMC, AHC (American Heroes Channel), CBS, Fox, Fox Sports, HGTV, History Channel, Discovery Channel, TLC, TruTV, Spike, CMT, Telemundo, Centric, Bravo, UFC, Sky Sports, etc.


You might also be interested in:
    World of Warcraft-Warlords of DraenorMusic Placements for TV, Film & Advertising – Spring 2015 – NBC- The voiceMusic Placements for TV, Film & Advertising – Winter 2015 – Music Placement Summer 2014Music Placements for TV, Film & Advertising – Summer 2014 – Music Placements for TV, Film & Advertising – Autumn 2013 – Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q2). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.Music Placements for Media and Advertising – Summer 2012 –
TV CommercialUnited StatesSouth KoreaSync LicenseFilmCanadaTV ProgramItalyAdvertising
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
31 January 2026

今から22、3年前、モーリー・ロバートソンさんの自宅で EMS Synthi A というスーツケース型シンセの実物を初めて見た。その後、新宿のリキッドルームで爆音ノイズのコラボ・ライブをさせていただいたことを思い出す。僕が日本を離れた後、モーリーさんの博識と洞察力、そして温厚な人柄が広くお茶の間に浸透し、その多才ぶりがさらに開花していくさまを頼もしく思っていた。心よりご冥福をお祈りします。

EMS Synthi A Rare Vintage Analog Synthesizer https://youtu.be/7DnELcaVGpk

No Title
31 January 2026

日々の業務でAIChatは色々と使っているが、音楽制作のアイデア出しや作曲ツールとして使うことはない。僕が惹かれるコードの響きやリズムのシンコペーション、「間」の取り方、そして展開の予測不能さは、AIが目指している方向とはまったく異なるし、AIにアドバイスされるのも困る(笑)。これは老子の言う「無用の用」なのかもしれない。役に立たない(=AIが「攻略できる」と興味を示さない)ものこそ、侵食されずに生き延びるということ。

Dark Model – Labyrinth (Short Edit) #neoclassical #chambermusic https://www.youtube.com/shorts/_gxKDkvdgHg

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

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