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Dark Model – Storm Goddess (from the new album “Saga”)

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Home > Topics > Dark Model > Dark Model – Storm Goddess (from the new album “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

“Storm Goddess” is included in Dark Model’s second full album “Saga.” This track has a structure like a “suite” (a sequence of short musical pieces), and as a whole, it builds one dramatic story.

Thankfully, we had great reviews which described “Storm Goddess” adequately (and even eloquently). We hope you will enjoy these reviews as well.

For details of Dark Model’s “Saga,” please refer to the album page.

BPM:
Keyword for this track: Orchestral, Furious, Intense, Impactful, Shocking, Thrilling, Hard-hitting, Energetic, Emotive, Cinematic, Powerful, Heroic, Epic, Dramatic, Anthemic, Uplifting, Rhythmic, Percussive, Driving, Progressive, Electronic Beats, Electronic, Break Beats

BPM: 138
Keywords: Orchestral, Thematic, Heroic, Dramatic, Progressive, Impactful, Tutti, Fast-paced
Composed and produced by Tatsuya Oe

– Reviews on “Storm Goddess” –

“On ‘Storm Goddess,’ the stormy, destructive staccato beat along with lively riffs constructs a layered sound as well as a strong sense of atmosphere. The technological-based beats do not detract from the acoustics of having a live orchestra in the background but by far enhances the arrangement.”

(My Nguyen, The Celebrity Cafe)

“‘Storm Goddess’ is an adventurous song that sounds like something you might hear in a superhero movie. It has an ever-changing beat that is sometimes powerful and fast, and at other times slower and more moving. It builds to a climactic crescendo, then delves into a more sinister tone. This may be the point where the hero learns something that could change their life. Trust me, when you listen you’ll have a movie playing in your mind as well.”

(Yvonne Glasgow, Beat Dot Media)

“Another standout track of Saga is ‘Storm Goddess,’ a darker more ambient piece complete with epic brass, swirling strings, pounding tympanic solos and massive drum beats. Furthermore, ‘Storm Goddess’ features well-placed moments of silent anticipation, which culminate with a return to the main theme.”

(Marie Flounoy, The 405)

“The song opens with powerful snares and violins, produced in such a way that the listener will have a hard time figuring out what parts of the piece were done by performers and what parts are digital. This is especially true with the drums, which though they are one in a techno breakbeat style, truly sound like they could be being played by a highly skilled drummer.”

Ellenwood EP)

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - Storm Goddess on Ellenwood-EPDark Model “Saga” Album Reviews Report Vol.3 (Music-News.com, M.I.R.P, and Ellenwood) Gig Soup - Dark Model SagaDark Model “Saga” Album Reviews Report Vol.2 (The 405, Gig Soup, Beat Dot Media, etc.) Now Hear This -Saga-Dark Model on Huffington PostDark Model “Saga” scored 4.5 out of 5 on The Huffington Post Dark Model - AvalonDark Model – Avalon (from the new album “Saga”)
Saga
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Tatsuya Oe Updated: December 12, 2025

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No Title
27 March 2026

一時期、エピクテトスの言葉に深く感動して読み耽っていたけれど、今はそのドライすぎる視点に「もう少し夢を見てもいいんじゃない?」と感じる部分がある。奴隷という過酷な境遇にいた彼には必要な強さだったのかもしれないが、その哲学を突き詰めると「宝くじが当たっても外れても、僕の幸福には無関係だ」なんて言う、寂しい人になってしまいそう。さて、そろそろ創作に本腰を入れたいので、マイクロブログはしばらく不定期更新とさせていただきます!

エピクテトス『語録 要録』 (中公クラシックス W 92) https://amzn.to/485V4Cr

No Title
25 March 2026

創作の範囲が驚くほど多岐に渡るゲーテは、「過去を振り返って反省する」タイプではなく、「今の自分を作品に叩きつけたら、すぐさま次の新しい自己へ脱皮する」タイプだった。彼にとって書くことは自己形成の手段であり、書き終えた瞬間、その時の自分はもう次のレベルに移動していると考える。この姿勢には強く同感だ。自作への評価は光栄だが、僕にとって過去作は「当時の全力の落書き」のようなもの。常に脱皮し、「今作りたい音」を追い求めていたい。

ゲーテとの対話(完全版) https://amzn.to/4lXDpTw

No Title
25 March 2026

トランプのSNS投稿という、現代社会で最も信じてはいけないものに世界中が右往左往している。だが、これはもはや彼だけのせいではない。それに過剰反応する側の責任も大きい。彼の投稿をソースにコピペ記事を書く輩を「ジャーナリスト」と呼び、その一喜一憂にレバレッジをかけてギャンブルに励む輩を「投資家」と呼ぶのは、さすがに劣化しすぎだろう。と、そんな「どうでもいい現象」について、わざわざ時間を割いて書いている自分も、過剰反応なのか(笑)

実は「ギャンブル」と同じ?! 投資の本質を考えてみた | 週刊エコノミスト Online https://bit.ly/4bGaheE

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Press excerpts for Dark Model’s album Saga, featuring reviews from The 405, Gig Soup Music, Beat Dot Media, Huffington Post,...

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