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Dark Model – Storm Goddess (from the new album “Saga”)

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Home > Topics > Dark Model > Dark Model – Storm Goddess (from the new album “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

“Storm Goddess” is included in Dark Model’s second full album “Saga.” This track has a structure like a “suite” (a sequence of short musical pieces), and as a whole, it builds one dramatic story.

Thankfully, we had great reviews which described “Storm Goddess” adequately (and even eloquently). We hope you will enjoy these reviews as well.

For details of Dark Model’s “Saga,” please refer to the album page.

BPM:
Keyword for this track: Orchestral, Furious, Intense, Impactful, Shocking, Thrilling, Hard-hitting, Energetic, Emotive, Cinematic, Powerful, Heroic, Epic, Dramatic, Anthemic, Uplifting, Rhythmic, Percussive, Driving, Progressive, Electronic Beats, Electronic, Break Beats

BPM: 138
Keywords: Orchestral, Thematic, Heroic, Dramatic, Progressive, Impactful, Tutti, Fast-paced
Composed and produced by Tatsuya Oe

– Reviews on “Storm Goddess” –

“On ‘Storm Goddess,’ the stormy, destructive staccato beat along with lively riffs constructs a layered sound as well as a strong sense of atmosphere. The technological-based beats do not detract from the acoustics of having a live orchestra in the background but by far enhances the arrangement.”

(My Nguyen, The Celebrity Cafe)

“‘Storm Goddess’ is an adventurous song that sounds like something you might hear in a superhero movie. It has an ever-changing beat that is sometimes powerful and fast, and at other times slower and more moving. It builds to a climactic crescendo, then delves into a more sinister tone. This may be the point where the hero learns something that could change their life. Trust me, when you listen you’ll have a movie playing in your mind as well.”

(Yvonne Glasgow, Beat Dot Media)

“Another standout track of Saga is ‘Storm Goddess,’ a darker more ambient piece complete with epic brass, swirling strings, pounding tympanic solos and massive drum beats. Furthermore, ‘Storm Goddess’ features well-placed moments of silent anticipation, which culminate with a return to the main theme.”

(Marie Flounoy, The 405)

“The song opens with powerful snares and violins, produced in such a way that the listener will have a hard time figuring out what parts of the piece were done by performers and what parts are digital. This is especially true with the drums, which though they are one in a techno breakbeat style, truly sound like they could be being played by a highly skilled drummer.”

Ellenwood EP)

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - Storm Goddess on Ellenwood-EPDark Model “Saga” Album Reviews Report Vol.3 (Music-News.com, M.I.R.P, and Ellenwood) Gig Soup - Dark Model SagaDark Model “Saga” Album Reviews Report Vol.2 (The 405, Gig Soup, Beat Dot Media, etc.) Now Hear This -Saga-Dark Model on Huffington PostDark Model “Saga” scored 4.5 out of 5 on The Huffington Post Dark Model - AvalonDark Model – Avalon (from the new album “Saga”)
Saga
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Tatsuya Oe Updated: December 12, 2025

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No Title
24 February 2026

白地に黒の四角が2個あった時、その間が徐々に狭くなって一つに見えてしまう仕掛けがあるとする。どこまで差が小さくなったら一つに融合して見えるかを測った時、2.1kHz(少し高めの音)を聞きながらその仕掛けを見た被験者は、その差の見極めが鋭くなったという。音で視力がよりクリアになったりぼやけたりするというのは、とても興味深い。私たちの五感は独立しているのではなく、脳の中で複雑に響き合い、一つの世界を作り上げている。

Captain Funk – Girlfriend #disco #funk #housemusic #uplifting https://www.youtube.com/shorts/zdsgFdOcIKg

No Title
23 February 2026

ジェームズ・クリアーは「環境は習慣を作る”見えない手”だ」と言い、自制心の強い人は、実は「自制心を使わなくても済む仕掛け/仕組み/ルーティーン」を作るのが上手い人のことだと説いた。離れた部屋で眠るギターを手に取るには強い意志が要るが、視界に入る場所に置かれたギターには、自然に手が伸びる。成長のための負荷を「良い摩擦」として残し、目的達成や成長を留まらせる「悪い摩擦」を減らす。仕組みや環境を見直し、アップデートしていこう。

「やる気」は過大評価されている。より大事なのは「環境作り」の方だ。 https://jamesclear.com/power-of-environment

No Title
22 February 2026

ドキュメンタリー「イマジニアリング」を見て再確認できることは、テクノロジーはあくまで「手段」であり、クリエイティブこそがその「目的」であるという事実。 本来、表現したいものがあるからこそ技術は発展してきた。しかし、昨今は手段(テクノロジー)が目的(クリエイティブ・社会的意義)を飲み込んでしまっているようにも感じる。 だからこそ今、あえて「テクノロジーを使わないクリエイティブ」に宿る価値を、深く考える習慣を取り戻したい。

錯覚作品「Magnet Like Slopes」(明治大学MIMS・杉原厚吉作) https://youtu.be/_bwsqRxqOvI

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