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Dark Model – Storm Goddess (from the new album “Saga”)

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Home > Topics > Dark Model > Dark Model – Storm Goddess (from the new album “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

“Storm Goddess” is included in Dark Model’s second full album “Saga.” This track has a structure like a “suite” (a sequence of short musical pieces), and as a whole, it builds one dramatic story.

Thankfully, we had great reviews which described “Storm Goddess” adequately (and even eloquently). We hope you will enjoy these reviews as well.

For details of Dark Model’s “Saga,” please refer to the album page.

BPM:
Keyword for this track: Orchestral, Furious, Intense, Impactful, Shocking, Thrilling, Hard-hitting, Energetic, Emotive, Cinematic, Powerful, Heroic, Epic, Dramatic, Anthemic, Uplifting, Rhythmic, Percussive, Driving, Progressive, Electronic Beats, Electronic, Break Beats

BPM: 138
Keywords: Orchestral, Thematic, Heroic, Dramatic, Progressive, Impactful, Tutti, Fast-paced
Composed and produced by Tatsuya Oe

– Reviews on “Storm Goddess” –

“On ‘Storm Goddess,’ the stormy, destructive staccato beat along with lively riffs constructs a layered sound as well as a strong sense of atmosphere. The technological-based beats do not detract from the acoustics of having a live orchestra in the background but by far enhances the arrangement.”

(My Nguyen, The Celebrity Cafe)

“‘Storm Goddess’ is an adventurous song that sounds like something you might hear in a superhero movie. It has an ever-changing beat that is sometimes powerful and fast, and at other times slower and more moving. It builds to a climactic crescendo, then delves into a more sinister tone. This may be the point where the hero learns something that could change their life. Trust me, when you listen you’ll have a movie playing in your mind as well.”

(Yvonne Glasgow, Beat Dot Media)

“Another standout track of Saga is ‘Storm Goddess,’ a darker more ambient piece complete with epic brass, swirling strings, pounding tympanic solos and massive drum beats. Furthermore, ‘Storm Goddess’ features well-placed moments of silent anticipation, which culminate with a return to the main theme.”

(Marie Flounoy, The 405)

“The song opens with powerful snares and violins, produced in such a way that the listener will have a hard time figuring out what parts of the piece were done by performers and what parts are digital. This is especially true with the drums, which though they are one in a techno breakbeat style, truly sound like they could be being played by a highly skilled drummer.”

Ellenwood EP)

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - Storm Goddess on Ellenwood-EPDark Model “Saga” Album Reviews Report Vol.3 (Music-News.com, M.I.R.P, and Ellenwood) Dark Model - AvalonDark Model – Avalon (from the new album “Saga”) Gig Soup - Dark Model SagaDark Model “Saga” Album Reviews Report Vol.2 (The 405, Gig Soup, Beat Dot Media, etc.) Verge Campus - Dark Model Survivors review Feb 2017Dark Model “Saga” Out Today – Album Reviews Report Vol.1
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Tatsuya Oe Updated: December 26, 2021

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No Title
27 August 2025

つい最近も、SNSで「ブラジルは関税を支払うべきだ」と発言しているのを実際に見かけたので、この記事の内容には違和感はない。関税の何たるかについては、大統領はもちろん、ゼニアの三つ揃いスーツで身を固めたウォール街の連中も、大半は都合の良い理解(=誤解)をしているように思う。彼らにとっては、40年前にオリバー・ストーンが風刺として描いたゴードン・ゲッコー(マイケル・ダグラス)が未だにロールモデルなのかも、と感じる時がある。

「関税は輸入国が支払うもの」関税の仕組みに気づき始めた米国人|FNNプライムオンライン https://www.fnn.jp/articles/-/921206

No Title
26 August 2025

ベストセラー『Atomic Habits』には、コメディアンのジェリー・サインフェルドが1日1つジョークを書き留めていたというエピソードが紹介されている。ジョークの出来不出来に関係なく、彼は淡々と毎日続けた。大事なのは「習慣の鎖」を絶やさないこと。邦題は『複利で伸びる1つの習慣』とアレンジされているが、著者が強調しているのは、習慣がもたらす「絶大な成果や収穫」ではない。むしろそれらを当てにしないで、「ひたむきに繰り返し、続ける」行為と環境づくりの大切さ。

「サインフェルド戦略」で先延ばし癖をやめる https://jamesclear.com/stop-procrastinating-seinfeld-strategy

No Title
26 August 2025

伊能忠敬が日本全国の測量の旅に出発したのは56歳の時。最初は弟子や助手などの費用の大半を自ら負担するという、とてもインディペンデントなベンチャーだったらしい。まさに「新しいことを始めるのに年齢は関係ない」の好例とも言えるが、本人はそんなことすら意識せず、天文暦学の魅力に取りつかれていたに違いない。などと勝手に共感してしまう。夢覚めやらぬ56歳も悪くない。

伊能忠敬の知られざる生涯 〜実は日本地図が作りたいわけではなかった!?|千葉県公式観光サイト https://maruchiba.jp/feature/detail_286.html

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Dark Model “Saga” Album Reviews Report Vol.2 (The 405, Gig Soup, Beat Dot Media, etc.)

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