• Search ...
  • English (en)English
  • 日本語 (ja)日本語
Tatsuya Oe (Captain Funk/Dark Mode/OE)
  • Home
    • Top (Japanese)
    • Topics
    • Sitemap
    • RSS Feeds
    • Contact
    • Privacy Policy
  • About
    • Biography
    • Projects
      • Captain Funk
      • Dark Model
      • OE
      • OE – Suchness
      • MER
      • Playmodel
    • Credits & Awards
    • Testimonials
    • Model Electronic Records
  • Discography
    • Captain Funk
    • Dark Model
    • OE
    • MER
    • Collaborations
    • Remixes
    • Compilations
    • Lyrics
  • Playlists
    • Musically Themed
      • Sci-fi / Cyberpunk
      • Disco / House
      • Downtempo / Trip-Hop / Mellow Hip-Hop
      • Synthwave & Dark Electro
      • Electronic Jazz Funk / Synth Boogie
      • Breakbeats Funk / Big Beat
      • Epic Hybrid: Uptempo
      • Epic Hybrid: Down & Midtempo
      • Swagger, Badass, and Gritty Music
      • Soundscape & Ambient
      • Uplifting Indie & Alternative Rock
      • Vintage Soul, Funk, and Jazz
      • Piano-Driven Tracks
      • Electronic Pop Vocals / Synthpop
    • Functional
      • Running Workout Music
      • Sound for Sitting Meditation
    • Synced Tracks
      • Top Licensed Tracks for Sync
      • Sports Tracks in Use
    • Captain Funk Playlists
    • Dark Model Playlists
    • OE Playlists
  • Blogs
    • Japanese Blog
    • Microblog (Day by Day)
    • English Blog
  • Videos
    • Sync Placements
    • Dark Model
    • Captain Funk
    • OE
    • MER
  • License Music
    • License Form
    • Licensing FAQ
    • Most In-demand Tracks
  • Links/Resources
    • Store Lists
    • Interviews & Resources

Dark Model – Storm Goddess (from the new album “Saga”)

← Previous Topic │Topics Top│ Next Topic →
Home > Topics > Dark Model > Dark Model – Storm Goddess (from the new album “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

“Storm Goddess” is included in Dark Model’s second full album “Saga.” This track has a structure like a “suite” (a sequence of short musical pieces), and as a whole, it builds one dramatic story.

Thankfully, we had great reviews which described “Storm Goddess” adequately (and even eloquently). We hope you will enjoy these reviews as well.

For details of Dark Model’s “Saga,” please refer to the album page.

BPM:
Keyword for this track: Orchestral, Furious, Intense, Impactful, Shocking, Thrilling, Hard-hitting, Energetic, Emotive, Cinematic, Powerful, Heroic, Epic, Dramatic, Anthemic, Uplifting, Rhythmic, Percussive, Driving, Progressive, Electronic Beats, Electronic, Break Beats

BPM: 138
Keywords: Orchestral, Thematic, Heroic, Dramatic, Progressive, Impactful, Tutti, Fast-paced
Composed and produced by Tatsuya Oe

– Reviews on “Storm Goddess” –

“On ‘Storm Goddess,’ the stormy, destructive staccato beat along with lively riffs constructs a layered sound as well as a strong sense of atmosphere. The technological-based beats do not detract from the acoustics of having a live orchestra in the background but by far enhances the arrangement.”

(My Nguyen, The Celebrity Cafe)

“‘Storm Goddess’ is an adventurous song that sounds like something you might hear in a superhero movie. It has an ever-changing beat that is sometimes powerful and fast, and at other times slower and more moving. It builds to a climactic crescendo, then delves into a more sinister tone. This may be the point where the hero learns something that could change their life. Trust me, when you listen you’ll have a movie playing in your mind as well.”

(Yvonne Glasgow, Beat Dot Media)

“Another standout track of Saga is ‘Storm Goddess,’ a darker more ambient piece complete with epic brass, swirling strings, pounding tympanic solos and massive drum beats. Furthermore, ‘Storm Goddess’ features well-placed moments of silent anticipation, which culminate with a return to the main theme.”

(Marie Flounoy, The 405)

“The song opens with powerful snares and violins, produced in such a way that the listener will have a hard time figuring out what parts of the piece were done by performers and what parts are digital. This is especially true with the drums, which though they are one in a techno breakbeat style, truly sound like they could be being played by a highly skilled drummer.”

Ellenwood EP)

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - Storm Goddess on Ellenwood-EPDark Model “Saga” Album Reviews Report Vol.3 (Music-News.com, M.I.R.P, and Ellenwood) Gig Soup - Dark Model SagaDark Model “Saga” Album Reviews Report Vol.2 (The 405, Gig Soup, Beat Dot Media, etc.) Now Hear This -Saga-Dark Model on Huffington PostDark Model “Saga” scored 4.5 out of 5 on The Huffington Post Dark Model - AvalonDark Model – Avalon (from the new album “Saga”)
Saga
← Previous Topic │Topics Top│ Next Topic →

Tatsuya Oe Updated: December 12, 2025

Video

  • OE – Vortex (Visualizer)OE – Vortex (Visualizer)

Today’s Popular Topics

  • Day by Day (Microblog)
  • Tatsuya Oe Biography
  • FAQs about Licensing Our Music
  • Live video uploaded: Captain Funk “Boogie Electricland”
  • [Album Medley] Captain Funk – Heavy Mellow (Deluxe Edition)
  • Dark Model Music on “Elysium (starring Matt Damon, Jodie Foster, etc)” First Footage Reel
  • [Updated] Captain Funk “Leaving” in the opening credit of “Younger” (TV Land)
  • [Album Medley] OE – Compositions in Light

Language:

  • English
  • 日本語

Playlists

All Playlists

Random Posts

  • Captain Funk (Tatsuya Oe) Interview on David Report (Sweden)Captain Funk (Tatsuya Oe) Interview on David Report (Sweden)
  • Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US)Dark Model’s 2 Tracks Featured in “2013/2014 Lexus ES” Advertising Campaign (US)
  • Music Placements for TV, Film & Advertising – Autumn 2013 –Music Placements for TV, Film & Advertising – Autumn 2013 –
  • Dark Model – Rage and RedemptionDark Model – Rage and Redemption
  • Impact Magazine (UK) Chose Tatsuya as one of “Top 10 Japanese Musicians”Impact Magazine (UK) Chose Tatsuya as one of “Top 10 Japanese Musicians”

Categories in Topics

Microblog

No Title
13 January 2026

Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

No Title
11 January 2026

40過ぎる頃までは、超夜型の生活をしていた。東京に住んで西海岸の連中と仕事をしていると、朝6時になっても、まだ彼らは昼食の時間。時間が押しているプロジェクトになると、いつまで経っても寝られない、なんてこともしばしば。ただ、渡米して彼らと同じ時間帯で仕事ができて楽になったかというと、その手の「他人のペースで動く仕事」自体をきっぱりやめた。それ以降、僕にとっての朝6時は普通に「起床の時間」になった。めでたしめでたし。

Captain Funk – Night Shift (Short Edit) #disco #funk #deephouse https://youtube.com/shorts/gSmk-SZOQGY

No Title
10 January 2026

今の時代、「無関心でいられること」や「情報を遮断できること」は、時に関心や好奇心を持つこと以上に重要な態度であり、知性だと思う。西洋社会、特にアメリカでは何もしないことや黙ること、状況をただ静観することは、「敗北」や「無能」と結びつけられてきた。「即座に何か反応する」動的な姿勢こそが美徳とされてきたが、その美徳が現在、理性を食いつぶす最大の仇となって自分たちに返ってきているような気がする。

OE – The Great River – Ambient Visualizer https://youtu.be/0rsUCSgrLq4

Menu

  • About
  • Discography
  • English Blog
  • Japanese Blog
    • Microblog
  • License Music
  • Links & References
  • RSS Feeds
  • Contact
  • Sitemap

Search in tatsuyaoe.com

Archives

Categories in Topics

Copyright © 2002-2026 Tatsuya Oe / Model Electronic. All rights reserved.
Read previous post:
Gig Soup - Dark Model Saga
Dark Model “Saga” Album Reviews Report Vol.2 (The 405, Gig Soup, Beat Dot Media, etc.)

Press excerpts for Dark Model’s album Saga, featuring reviews from The 405, Gig Soup Music, Beat Dot Media, Huffington Post,...

Close