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Dark Model – Storm Goddess (from the new album “Saga”)

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Home > Topics > Dark Model > Dark Model – Storm Goddess (from the new album “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

“Storm Goddess” is included in Dark Model’s second full album “Saga.” This track has a structure like a “suite” (a sequence of short musical pieces), and as a whole, it builds one dramatic story.

Thankfully, we had great reviews which described “Storm Goddess” adequately (and even eloquently). We hope you will enjoy these reviews as well.

For details of Dark Model’s “Saga,” please refer to the album page.

BPM:
Keyword for this track: Orchestral, Furious, Intense, Impactful, Shocking, Thrilling, Hard-hitting, Energetic, Emotive, Cinematic, Powerful, Heroic, Epic, Dramatic, Anthemic, Uplifting, Rhythmic, Percussive, Driving, Progressive, Electronic Beats, Electronic, Break Beats

BPM: 138
Keywords: Orchestral, Thematic, Heroic, Dramatic, Progressive, Impactful, Tutti, Fast-paced
Composed and produced by Tatsuya Oe

– Reviews on “Storm Goddess” –

“On ‘Storm Goddess,’ the stormy, destructive staccato beat along with lively riffs constructs a layered sound as well as a strong sense of atmosphere. The technological-based beats do not detract from the acoustics of having a live orchestra in the background but by far enhances the arrangement.”

(My Nguyen, The Celebrity Cafe)

“‘Storm Goddess’ is an adventurous song that sounds like something you might hear in a superhero movie. It has an ever-changing beat that is sometimes powerful and fast, and at other times slower and more moving. It builds to a climactic crescendo, then delves into a more sinister tone. This may be the point where the hero learns something that could change their life. Trust me, when you listen you’ll have a movie playing in your mind as well.”

(Yvonne Glasgow, Beat Dot Media)

“Another standout track of Saga is ‘Storm Goddess,’ a darker more ambient piece complete with epic brass, swirling strings, pounding tympanic solos and massive drum beats. Furthermore, ‘Storm Goddess’ features well-placed moments of silent anticipation, which culminate with a return to the main theme.”

(Marie Flounoy, The 405)

“The song opens with powerful snares and violins, produced in such a way that the listener will have a hard time figuring out what parts of the piece were done by performers and what parts are digital. This is especially true with the drums, which though they are one in a techno breakbeat style, truly sound like they could be being played by a highly skilled drummer.”

Ellenwood EP)

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

Caution: It is strictly prohibited to upload these tracks without our permission onto music/video sharing websites such as Youtube.


You might also be interested in:
    Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - Storm Goddess on Ellenwood-EPDark Model “Saga” Album Reviews Report Vol.3 (Music-News.com, M.I.R.P, and Ellenwood) Gig Soup - Dark Model SagaDark Model “Saga” Album Reviews Report Vol.2 (The 405, Gig Soup, Beat Dot Media, etc.) Now Hear This -Saga-Dark Model on Huffington PostDark Model “Saga” scored 4.5 out of 5 on The Huffington Post Dark Model - AvalonDark Model – Avalon (from the new album “Saga”)
Saga
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Tatsuya Oe Updated: December 12, 2025

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3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

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2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

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1 November 2026

「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病気名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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