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Music Placements for TV programs & Promos – 2018 Q4 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2018 Q4 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, Sync License, and CNN.
Jan 14, 2019
HBO-Last Week Tonight with John Oliver

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2018 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

CNN “Declassified: Untold Stories of American Spies”
CNN-Declassified

HBO “Last Week Tonight With John Oliver”
HBO-Last Week Tonight with John Oliver

FOX “Who Shot Biggie And Tupac”
FOX-Who Shot Biggie And Tupac

NBC “Saturday Night Live”
NBC-Saturday Night Live

Netflix “Joe Mande’s Award-Winning Comedy Special”
Netflix-Joe Mandes Award-Winning Comedy Special

National Geographic “How Human Are You”
National Geographic - How Human Are You

HBO “Vice News Tonight”
HBO-Vice News Tonight

Viceland “Big Night Out”
Viceland-Big Nights Out

truTV “Hack My Life”
truTV - Hack My Life

and many more placements.


You might also be interested in:
    CNN-The SeventiesMusic Placements for TV programs & Promos – Spring 2018 – Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 – Nickelodeon - Spongebob SquarepantsMusic Placements for TV programs & Promos – 2020 Q2 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – Daily Show with Trevor NoahMusic Placements for TV programs & Promos – 2020 Q4 –
TV CommercialUnited StatesSync LicenseCNN

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Tatsuya Oe Updated: December 21, 2020

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14 September 2025

創作手法にあえて制約や縛りを設けることで、よりクリエイティブなものが生まれることもある。これは作り手なら誰もが経験しているだろう。ただ、そうして生まれた作品を受け手がどう感じるか以前に、このアプローチ自体が目的化・教義化してしまったり、作り手としてむしろ満足できないクオリティに陥ってしまうなら意味がない。そんなことを、かつて話題になった映画製作運動『ドグマ95』を思い出しながら考えた。昨日の「度胸比べ」も厄介だが、「ガマン比べ」も大変だ。

トマス・ヴィンターベア『セレブレーション』(1998) https://amzn.to/4ppfNbo

No Title
13 September 2025

AI研究者・認知科学者として知られるゲイリー・マーカスは、AIの進化の行方について数年前から強い警鐘を鳴らしてきた。炎上好きな彼ゆえ、その発言はある程度割り引いて受け止めるのが賢明だが、日本のIT界には「あえて現状を疑い、問題を突きつける」論客が少ない。いずれにしても、AIビジネスが「誰のテストステロン(男性ホルモン)が一番か」とばかりに、まるでカジノの度胸比べのようになっている現状こそ、まさにバブル(=行き過ぎ)だとも言える。

ゲイリー・マーカス『AIバブルのピーク』 https://garymarcus.substack.com/p/peak-bubble

No Title
13 September 2025

Mac OSが今で言うクラシック環境だった頃、とても個性的で、しかも重宝し、しかも殆ど誰も知らない(笑)音声合成ソフトがあった。数年に一度はそのソフトを再び使いたくなるのだが、Basilisk IIというエミュレーターとMac OS 7.5.3のディスク(!)などを用意して下準備をしなければならないため、毎回思い立っては即座に挫折する。OE『Physical Fiction』や『New Classics Vol.2』に収録されている曲でよく用いた。

OE 『New Classics, Vol. 2』 https://amzn.to/3HZTRDc

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