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Music Placements for TV programs & Promos – 2018 Q4 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2018 Q4 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, Sync License, and CNN.
Jan 14, 2019
HBO-Last Week Tonight with John Oliver

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2018 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

CNN “Declassified: Untold Stories of American Spies”
CNN-Declassified

HBO “Last Week Tonight With John Oliver”
HBO-Last Week Tonight with John Oliver

FOX “Who Shot Biggie And Tupac”
FOX-Who Shot Biggie And Tupac

NBC “Saturday Night Live”
NBC-Saturday Night Live

Netflix “Joe Mande’s Award-Winning Comedy Special”
Netflix-Joe Mandes Award-Winning Comedy Special

National Geographic “How Human Are You”
National Geographic - How Human Are You

HBO “Vice News Tonight”
HBO-Vice News Tonight

Viceland “Big Night Out”
Viceland-Big Nights Out

truTV “Hack My Life”
truTV - Hack My Life

and many more placements.


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    Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 – Nickelodeon - Spongebob SquarepantsMusic Placements for TV programs & Promos – 2020 Q2 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – Daily Show with Trevor NoahMusic Placements for TV programs & Promos – 2020 Q4 – Late Show with Stephen ColbertMusic Placements for TV programs & Promos – 2024 Q1 –
TV CommercialUnited StatesSync LicenseCNN
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Tatsuya Oe Updated: December 12, 2025

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1 August 2026

テクノロジーは常に「レイジー」と「クリエイティブ」の選択を迫る。 思考や感情をAIに丸投げして「楽をする」アプローチと、アイデアの「着想の種」として使い、編集や意図を人間が責任を持ってコントロールするアプローチは全く異なる。「今や誰もがスタジオでAIを使っている」というグラミー賞のエグゼクティブのコメントが引用されているが、もしそれがレイジーな使い方ばかりなのだとしたら、問題なのは技術ではなく使い手の姿勢や業界の文化だろう。

Ari's Take「AI音楽は冒涜だ — “当たり前”にするのをやめよう」 https://aristake.com/ai-music-is-an-abomination/

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陶芸の世界に魅せられている。まず驚くのはその自由度の高さ。「どこからどこまでを陶芸と呼ぶのか」が分からないほど表現が広がっている。それでいて、コンテンポラリーアートにありがちなコンセプト(作文)やウンチクだけで押し切ろうとする小賢しさやあざとさ(笑)が一切ない。ひとえに「まず圧倒的な技術の裏付けがなければ話にならない」という工芸の大原則が守られているのだ。当面の目標は、稲崎さんの作品の実物をこの目でみること。

稲崎栄利子 – 幻想的なフォルムと、想像を超える精緻な技術 https://www.vogue.co.jp/lifestyle/article/the-crafts-revolution-eriko-inazaki

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30 July 2026

DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

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