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Music Placements for TV programs & Promos – 2018 Q4 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2018 Q4 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, Sync License, and CNN.
Jan 14, 2019
HBO-Last Week Tonight with John Oliver

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2018 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

CNN “Declassified: Untold Stories of American Spies”
CNN-Declassified

HBO “Last Week Tonight With John Oliver”
HBO-Last Week Tonight with John Oliver

FOX “Who Shot Biggie And Tupac”
FOX-Who Shot Biggie And Tupac

NBC “Saturday Night Live”
NBC-Saturday Night Live

Netflix “Joe Mande’s Award-Winning Comedy Special”
Netflix-Joe Mandes Award-Winning Comedy Special

National Geographic “How Human Are You”
National Geographic - How Human Are You

HBO “Vice News Tonight”
HBO-Vice News Tonight

Viceland “Big Night Out”
Viceland-Big Nights Out

truTV “Hack My Life”
truTV - Hack My Life

and many more placements.


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    Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 – Nickelodeon - Spongebob SquarepantsMusic Placements for TV programs & Promos – 2020 Q2 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – Daily Show with Trevor NoahMusic Placements for TV programs & Promos – 2020 Q4 – Late Show with Stephen ColbertMusic Placements for TV programs & Promos – 2024 Q1 –
TV CommercialUnited StatesSync LicenseCNN
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
13 January 2026

エドワード・サイードの代表的著書『オリエンタリズム』で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、部外者)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの国に生まれた場違い」として(笑)、僕は彼の主張に一筋の光を感じる。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

No Title
13 January 2026

Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

No Title
11 January 2026

40過ぎる頃までは、超夜型の生活をしていた。東京に住んで西海岸の連中と仕事をしていると、朝6時になっても、まだ彼らは昼食の時間。時間が押しているプロジェクトになると、いつまで経っても寝られない、なんてこともしばしば。ただ、渡米して彼らと同じ時間帯で仕事ができて楽になったかというと、その手の「他人のペースで動く仕事」自体をきっぱりやめた。それ以降、僕にとっての朝6時は普通に「起床の時間」になった。めでたしめでたし。

Captain Funk – Night Shift (Short Edit) #disco #funk #deephouse https://youtube.com/shorts/gSmk-SZOQGY

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