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Music Placements for TV programs & Promos – 2018 Q4 –

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Home > Topics > Music Placement > Music Placements for TV programs & Promos – 2018 Q4 –
Categories: Music Placement and Media/Press. Tags: TV Commercial, United States, Sync License, and CNN.
Jan 14, 2019
HBO-Last Week Tonight with John Oliver

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.

Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners. Also, these placements include ones which occurred before 2018 as we often receive their reports with some delay.

-TV Programs & their promos/trailers-

CNN “Declassified: Untold Stories of American Spies”
CNN-Declassified

HBO “Last Week Tonight With John Oliver”
HBO-Last Week Tonight with John Oliver

FOX “Who Shot Biggie And Tupac”
FOX-Who Shot Biggie And Tupac

NBC “Saturday Night Live”
NBC-Saturday Night Live

Netflix “Joe Mande’s Award-Winning Comedy Special”
Netflix-Joe Mandes Award-Winning Comedy Special

National Geographic “How Human Are You”
National Geographic - How Human Are You

HBO “Vice News Tonight”
HBO-Vice News Tonight

Viceland “Big Night Out”
Viceland-Big Nights Out

truTV “Hack My Life”
truTV - Hack My Life

and many more placements.


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    Big Bang TheoryMusic Placements for TV programs & Promos – 2015 Q4 – Nickelodeon - Spongebob SquarepantsMusic Placements for TV programs & Promos – 2020 Q2 – CW - Life SentenceMusic Placements for TV programs & Promos – 2019 Q3 – Daily Show with Trevor NoahMusic Placements for TV programs & Promos – 2020 Q4 – Late Show with Stephen ColbertMusic Placements for TV programs & Promos – 2024 Q1 –
TV CommercialUnited StatesSync LicenseCNN
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
30 July 2026

DTMをやっている人には、Native Instruments社のサンプラーソフト「Kontakt」はお馴染みだと思う。2002年の登場から数々のアップデートを経ても基本設計は大きく変わっていないけれど、発売時から愛用している僕自身、まだ使っていない機能が山ほどある。だから数年に一度、このソフトの深掘りに時間を割くことにしている。というわけで、今週はもっぱらこの文字のやたら小さなUI画面と格闘中。次の曲作りに役立つといいな。

KONTAKT: FIRST STEPS (Ch. 2 Ep. 1) – YouTube https://youtu.be/Gj-ZLEmn15I

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29 July 2026

2010年出版の『インビジブル・エッジ』を読み返す。かつてのアメリカは知財オペレーションという「頭脳戦」に傾倒し、結果として現場の製造スキルや品質向上を手放してしまった。 2026年の今、潮目は変わっている。もはや知財の威光だけで勝てる時代ではなく、「その知財で何を作り出せるのか」というモノづくりの実体価値が改めて問われているように思う。足りないのは、手足を動かして価値を生み出しているという「リアリティ(実感)」なのだ。

『インビジブル・エッジ』その知財が勝敗を分ける https://link.amazon/B03Bi0vho

No Title
27 July 2026

年季の入ったブルースマンやR&Bミュージシャンのインタビューを聞いていると、”We was” という表現が出てくることがある。これは標準英語とは異なるが、彼らの間では決して間違いではない。こういうのは Vernacular(自然発生的な日常文法) といって、Slang(俗語・流行語) や、地域的な Dialect(方言) とも少し違う。このバンドの名前 Sho-nuffは、「あたりきよ!(Sure enough)」みたいな、レトロで味のあるスラング。

Sho-nuff – Don't Use Me Up https://youtu.be/oIHRDJbhwUM

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