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More digital music platforms joined to distribute all Model Electronic releases

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Home > Topics > Dark Model > More digital music platforms joined to distribute all Model Electronic releases
Categories: Dark Model, Captain Funk, OE, and Model Electronic. Tags: Japan, China, and Digital distribution. Formats: Gallery.
May 25, 2020

[Updated in October, 2022]

These digital music stores and streaming services in Japan and China just have joined to distribute all the releases of Model Electronic. Recochoku, mora, e-onkyo music, and OTOTOY handle hi-resolution audio files such as 24bit/48Khz WAV and Flac. Hopefully, you will enjoy listening to Tatsuya’s music through these services as well.

Contents

  • Additional digital music stores and streaming services
  • Releases which have started to be distributed via these platforms

Additional digital setvices May 2020

Additional digital music stores and streaming services

Japan

music.jp | dwango.jp | recochoku | mora | e-onkyo music | OTOTOY | rakuten music

Otoraku| FaRao Pro (These are background music suppliers for restaurants, bars, and similar establishments.)

China

QQ Music | Kuwo Music(酷我音楽)| NetEase Cloud Music(網易雲音楽)| Xiami Music (蝦米音楽)

South Korea

Melon | Soribada | Bugs!

Releases which have started to be distributed via these platforms

For details, please visit each release page in Discography section.

Captain Funk

『Chronicles 2007-2013, Vol.1 』『Chronicles 2007-2013, Vol.2 』『Oceans』『Metropolis』

Note: As for “Chronicles 2007-2013, Vol.1&2,” only 16bit/44Khz files are distributed. All the other releases include distributions of hi-resolution audio files such as 24bit/48Khz WAV and Flac.

Captain Funk – Chronicles 2007-2013, Vol. 1 Captain Funk – Chronicles 2007-2013, Vol. 2 Captain Funk - Oceans Captain Funk - Metropolis

Dark Model

『Dark Model』『Saga』『Oath 』『Flashback』

Dark Model - First Album Dark Model - Oath Dark Model - Oath Dark Model - Flashback

OE

『New Classics Vol.1 』『New Classics Vol.2 』『Suchness』

OE - New Classics Vol.1 OE - New Classics Vol.2 OE - Suchness


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JapanChinaDigital distribution
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

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先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

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「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病気名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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