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More digital music platforms joined to distribute all Model Electronic releases

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Home > Topics > Dark Model > More digital music platforms joined to distribute all Model Electronic releases
Categories: Dark Model, Captain Funk, OE, and Model Electronic. Tags: Japan, China, and Digital distribution. Formats: Gallery.
May 25, 2020

[Updated in October, 2022]

These digital music stores and streaming services in Japan and China just have joined to distribute all the releases of Model Electronic. Recochoku, mora, e-onkyo music, and OTOTOY handle hi-resolution audio files such as 24bit/48Khz WAV and Flac. Hopefully, you will enjoy listening to Tatsuya’s music through these services as well.

Contents

  • Additional digital music stores and streaming services
  • Releases which have started to be distributed via these platforms

Additional digital setvices May 2020

Additional digital music stores and streaming services

Japan

music.jp | dwango.jp | recochoku | mora | e-onkyo music | OTOTOY | rakuten music

Otoraku| FaRao Pro (These are background music suppliers for restaurants, bars, and similar establishments.)

China

QQ Music | Kuwo Music(酷我音楽)| NetEase Cloud Music(網易雲音楽)| Xiami Music (蝦米音楽)

South Korea

Melon | Soribada | Bugs!

Releases which have started to be distributed via these platforms

For details, please visit each release page in Discography section.

Captain Funk

『Chronicles 2007-2013, Vol.1 』『Chronicles 2007-2013, Vol.2 』『Oceans』『Metropolis』

Note: As for “Chronicles 2007-2013, Vol.1&2,” only 16bit/44Khz files are distributed. All the other releases include distributions of hi-resolution audio files such as 24bit/48Khz WAV and Flac.

Captain Funk – Chronicles 2007-2013, Vol. 1 Captain Funk – Chronicles 2007-2013, Vol. 2 Captain Funk - Oceans Captain Funk - Metropolis

Dark Model

『Dark Model』『Saga』『Oath 』『Flashback』

Dark Model - First Album Dark Model - Oath Dark Model - Oath Dark Model - Flashback

OE

『New Classics Vol.1 』『New Classics Vol.2 』『Suchness』

OE - New Classics Vol.1 OE - New Classics Vol.2 OE - Suchness


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JapanChinaDigital distribution
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
15 January 2026

布団にくるまり、何か映画でも見ようと思う。幸か不幸か、ジャン・リュック・ゴダールのドキュメンタリーに出会ってしまった。彼は時間芸術、とりわけ王道的な映画が持つ「物語性」を破壊することで革命と混乱を起こした。「物語を信じない」と斬り、自分の人生から作品に至るまで偶然や断片という眼差しで解体したのが、デヴィッド・ボウイだ。世界はいつしか物語まみれの時代に戻り、アルゴリズムに翻弄され、空虚な「辻褄合わせ」に躍起になっている。

【予告編】『ジャン=リュック・ゴダール 反逆の映画作家』 https://youtu.be/jnLjmJXJims

No Title
13 January 2026

エドワード・サイードの代表的著書『オリエンタリズム』で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、部外者)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの国に生まれた場違い」として(笑)、僕は彼の主張に一筋の光を感じる。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

No Title
13 January 2026

Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

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