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More digital music platforms joined to distribute all Model Electronic releases

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Home > Topics > Dark Model > More digital music platforms joined to distribute all Model Electronic releases
Categories: Dark Model, Captain Funk, OE, and Model Electronic. Tags: Japan, China, and Digital distribution. Formats: Gallery.
May 25, 2020

[Updated in October, 2022]

These digital music stores and streaming services in Japan and China just have joined to distribute all the releases of Model Electronic. Recochoku, mora, e-onkyo music, and OTOTOY handle hi-resolution audio files such as 24bit/48Khz WAV and Flac. Hopefully, you will enjoy listening to Tatsuya’s music through these services as well.

Contents

  • Additional digital music stores and streaming services
  • Releases which have started to be distributed via these platforms

Additional digital setvices May 2020

Additional digital music stores and streaming services

Japan

music.jp | dwango.jp | recochoku | mora | e-onkyo music | OTOTOY | rakuten music

Otoraku| FaRao Pro (These are background music suppliers for restaurants, bars, and similar establishments.)

China

QQ Music | Kuwo Music(酷我音楽)| NetEase Cloud Music(網易雲音楽)| Xiami Music (蝦米音楽)

South Korea

Melon | Soribada | Bugs!

Releases which have started to be distributed via these platforms

For details, please visit each release page in Discography section.

Captain Funk

『Chronicles 2007-2013, Vol.1 』『Chronicles 2007-2013, Vol.2 』『Oceans』『Metropolis』

Note: As for “Chronicles 2007-2013, Vol.1&2,” only 16bit/44Khz files are distributed. All the other releases include distributions of hi-resolution audio files such as 24bit/48Khz WAV and Flac.

Captain Funk – Chronicles 2007-2013, Vol. 1 Captain Funk – Chronicles 2007-2013, Vol. 2 Captain Funk - Oceans Captain Funk - Metropolis

Dark Model

『Dark Model』『Saga』『Oath 』『Flashback』

Dark Model - First Album Dark Model - Oath Dark Model - Oath Dark Model - Flashback

OE

『New Classics Vol.1 』『New Classics Vol.2 』『Suchness』

OE - New Classics Vol.1 OE - New Classics Vol.2 OE - Suchness


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JapanChinaDigital distribution
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
27 February 2026

「映画にドラマはいらない。ただそこに人間がいて、何かが匂ってくればいいんだ」。かつて小津安二郎はインタビューでそう語ったという。ドゥルーズは小津の映像を「純粋な視覚的・聴覚的状況」と呼んだ。映像デザイン、あるいは環境映像的か。確かに小津の映画は無音でも楽しめる。彼はあの時代、すでに我々とは違う次元で映画を捉えていたのだろう。小津に影響を受けたという米映画『コロンバス』を観ながら、そんなことを考えた。

映画『コロンバス』予告編 https://youtu.be/FawH3iR5Ems

No Title
27 February 2026

ロン・ハワード監督による、マペット作家ジム・ヘンソンのドキュメンタリーを見た。想像以上にエネルギッシュで、多忙な創作人生に驚かされる。 幼少期に親しんだ『セサミ・ストリート』に対し、『ダーク・クリスタル』や『ラビリンス』、『ストーリーテラー』といったダークファンタジーは、当時「やんちゃなファンク青年」(笑)だった僕は夢中にはなれなかった。ただ、この時代のジムなしでは、ギレルモ・デル・トロやジェームズ・キャメロンなどの異才が頭角を現さなかったかもしれない。

Jim Henson Idea Man | Official Trailer https://youtu.be/iyGFV6VIxkI

No Title
26 February 2026

今朝、英語圏のSNSでは「エヌビディアは実際に利益を出している。どこが一体AIバブルなんだ?」という暴論が飛び交っていた。実のところ、株価よりも売上が膨張している状況こそバブルとして深刻だ。「売れているから大丈夫」という主張は、裏を返せば「売れなくなった瞬間に、それを支える理屈が何一つなくなる」という危うさと表裏一体だから。日本をダンスフロアにしてどんちゃん騒ぎをしている海外の機関投資家に要注意。音楽が止まった時、彼らはいない。

エドワード・チャンセラー 『新訳 バブルの歴史』 https://amzn.to/4rBaq9L

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