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More digital music platforms joined to distribute all Model Electronic releases

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Home > Topics > Dark Model > More digital music platforms joined to distribute all Model Electronic releases
Categories: Dark Model, Captain Funk, OE, and Model Electronic. Tags: Japan, China, and Digital distribution. Formats: Gallery.
May 25, 2020

[Updated in October, 2022]

These digital music stores and streaming services in Japan and China just have joined to distribute all the releases of Model Electronic. Recochoku, mora, e-onkyo music, and OTOTOY handle hi-resolution audio files such as 24bit/48Khz WAV and Flac. Hopefully, you will enjoy listening to Tatsuya’s music through these services as well.

Contents

  • Additional digital music stores and streaming services
  • Releases which have started to be distributed via these platforms

Additional digital setvices May 2020

Additional digital music stores and streaming services

Japan

music.jp | dwango.jp | recochoku | mora | e-onkyo music | OTOTOY | rakuten music

Otoraku| FaRao Pro (These are background music suppliers for restaurants, bars, and similar establishments.)

China

QQ Music | Kuwo Music(酷我音楽)| NetEase Cloud Music(網易雲音楽)| Xiami Music (蝦米音楽)

South Korea

Melon | Soribada | Bugs!

Releases which have started to be distributed via these platforms

For details, please visit each release page in Discography section.

Captain Funk

『Chronicles 2007-2013, Vol.1 』『Chronicles 2007-2013, Vol.2 』『Oceans』『Metropolis』

Note: As for “Chronicles 2007-2013, Vol.1&2,” only 16bit/44Khz files are distributed. All the other releases include distributions of hi-resolution audio files such as 24bit/48Khz WAV and Flac.

Captain Funk – Chronicles 2007-2013, Vol. 1 Captain Funk – Chronicles 2007-2013, Vol. 2 Captain Funk - Oceans Captain Funk - Metropolis

Dark Model

『Dark Model』『Saga』『Oath 』『Flashback』

Dark Model - First Album Dark Model - Oath Dark Model - Oath Dark Model - Flashback

OE

『New Classics Vol.1 』『New Classics Vol.2 』『Suchness』

OE - New Classics Vol.1 OE - New Classics Vol.2 OE - Suchness


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JapanChinaDigital distribution
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Tatsuya Oe Updated: December 12, 2025

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Categories in Topics

Microblog

No Title
31 January 2026

日々の業務でAIChatは色々と使っているが、音楽制作のアイデア出しや作曲ツールとして使うことはない。僕が惹かれるコードの響きやリズムのシンコペーション、「間」の取り方、そして展開の予測不能さは、AIが目指している方向とはまったく異なるし、AIにアドバイスされるのも困る(笑)。これは老子の言う「無用の用」なのかもしれない。役に立たない(=AIが「攻略できる」と興味を示さない)ものこそ、侵食されずに生き延びるということ。

Dark Model – Labyrinth (Short Edit) #neoclassical #chambermusic https://www.youtube.com/shorts/_gxKDkvdgHg

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

No Title
28 January 2026

僕がプロとして音楽を始めた頃、ダンスミュージックの魅力の一つに「匿名性の面白さ」があった。DJがスピンする曲で盛り上がっていても、どの国の誰の曲か分からないし、そんなことに関心を持つ気配もない。DJブースの場所や、誰がプレイしているのかすら分からないこともあった。その晩のヒーロー/主役はDJではなく(グルーヴや音の響き、ストーリーなど、すべてを含めて)「音」。Ron TrentのDJは、そんな純度の高い音楽体験を提供し続けている。

Ron Trent | Boiler Room Festival: New York City 2021 https://www.youtube.com/live/R2S5tJzqEmY

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