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[Album Medley] OE – Compositions in Light

Home > Video > [Album Medley] OE – Compositions in Light
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Categories: Compositions in Light. Tags for Video: Contemporary, IDM, Electronic Funk/Synth Funk, and Electronica.

“Minimalism and grooves weave the interplay of light and shadow.”

In 2024, Tatsuya Oe, who previously released ambient works such as “Starry Messenger” and “Seisei Ruten,” as well as the early techno compilation “Early Techno Works 9697” under the OE alias, has now released a contemporary electronic album, which is the mainstream style for this alias. While inheriting the minimalist and progressive approach showcased in last year’s “Compositions in Blue,” this new work features more groovy and rhythmical tracks, resulting in a vibrant and dynamic album.

Album Details (on Discography):https://l.tatsuyaoe.com/KPXjv3

– “OE – Compositions in Light” Tracklist –

1. Breakout
2. Sky High
3. The River Flows on
4. Dance of Shadows
5. Coast to Coast
6. Rejoice
7. Lake Poets
8. Chapel Song
9. Glaciers
10. Neo Metropolis
11. Sky High (Instrumental Mix)
12. Rejoice (Instrumental Mix)
13. Chapel Song (Instrumental Mix)
14. Neo Metropolis (Instrumental Mix)

Tatsuya Oe / Model Electronic Records · OE – Compositions In Light [Album Sampler] (Contemporary / Synthpop / Minimalism / Funk)


You might also be interested in:
    OE-Compositions in Blue Medley[Album Medley] OE – Compositions in Blue OE - Sky HighOE – Sky High OE - Early Techno Works 9697[Album Medley] OE – Early Techno Works 9697 OE - MobiusOE – Mobius (from “Compositions in Blue”) [Album Medley] MER - Cyber City Connection[Album Medley] MER – Cyber City Connection: Urban Synthwave and Electro Funk

Tatsuya Oe Updated: October 8, 2024

Microblog

No Title
6 November 2026

アルバムのミックスダウンを追い込み、16曲を通し聴き。「なかなか良いじゃないの」と浸っていた11曲目、ふとファイル名を見て愕然とした。…これ、3週間前にアートワーク用に作った暫定版だ!その後、細部を詰めて取り組んできた作業の成果に、本人が全く気づいていなかったという事実。 ここは前向きに、「前のミックスの時点で、すでにほぼ完璧に仕上がっていたということだ」という、あふれんばかりの自己肯定感で突っ走ることにします(笑)。

自己肯定感が高い人の4大特徴が明らかに! – STUDY HACKER https://studyhacker.net/self-esteem-high

No Title
3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

No Title
2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

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