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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Diplegia (OE Version) (Audio Visualizer)

Home > Video > OE – Diplegia (OE Version) (Audio Visualizer)
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Today’s Popular Videos

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Language:

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Categories: New Classics Vol.2. Tags for Video: Jazz-Funk, Indie-Rock, and IDM.

This fast-paced, piano-driven, and progressive electronic jazz-funk track features an afro-funk-influenced brass section and rhythmic piano & guitar performances. This track consists of three parts. The intro builds mysteriously with sharp piano riffs, minimalistic guitar, and a glitchy electronic beat. Then, it goes on to a straight-ahead, upbeat funk piece. The music’s tension escalates into chaos at the end as all the instruments are played intensely.

– Keyword for this track –

BreakBeat, Jazz Funk, Acid Jazz, Progressive Rock, Afro Jazz, Brass Section, Piano-driven, Minimalist, Futuristic, Uplifting, Disturbing, Cool, Driving, IDM, Electronic Funk, Mysterious, Aggressive, Electronic Beats, Fast-paced, Mysterious, Energetic, Intense, Rhythmic, Chaotic
BPM: 155

– About “New Classics Vol.2” –

“New Classics Vol.1 & 2” are collections of new tracks and new arrangements of his past pieces produced under the moniker of “OE” (E is pronounced as long E, like “O.E”).

While the vol.1 focuses on the indie rock/pop electronica and songwriter-oriented side of the project, the vol.2 delves into the contemporary, edgy, and experimental side.

Album details: https://s.tatsuyaoe.com/3sNNkRP

– Album info –

All tracks composed, produced, and mastered by Tatsuya Oe (NexTone / JASRAC)
Label: Model Electronic Records
UPC Code: 191924618690

-Streaming Services / Music Apps-

Spotify
Apple Music
Amazon US MP3
Bandcamp
Album details & other links: https://s.tatsuyaoe.com/3sNNkRP

– Sync Licensing –

For inquiries about obtaining a sync license of this track for your video project, please read our license guide carefully and contact us via License Request page.


You might also be interested in:
    OE - Spiral (Visualizer)OE – Spiral (Audio Visualizer) OE - Blitz (Visualizer)OE – Blitz (Audio Visualizer) OE - All AroundOE – All Around (Audio Visualizer) OE - The Grid (Visualizer)OE – The Grid (Audio Visualizer) OE - Time Has Told me (Visualizer)OE – Time Has Told Me (Audio Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

No Title
1 November 2026

「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病気名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

No Title
1 November 2026

職業としての「アーティスト」の仕事の大部分は宣伝、ライブ、マネジメントなどのコミュニケーション、つまり「人」。作品創りは必要条件であっても、決して十分条件ではない。人に左右される部分を減らすシステムも工夫次第で可能だが、結局は「作品を創るだけ」では職業として成り立たない。それは芸術家に限らず、板金工も農家も、みうらじゅんさんも同じ。職業とは他人から規定されるものではなく、自分で創り上げていく「環境」なのだと思う。

「ない仕事」の作り方 (文春文庫) | みうらじゅん https://link.amazon/B05aGXHeP

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