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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Tessera (Movie)

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Categories: New Classics Vol.1. Tags for Video: Contemporary.

Fast-paced contemporary classical/electronic piece that builds a musical story dramatically with multiple layers of rhythmic piano performances. Fast passages intersect vibrantly on the major chord transitions. This piece consists of three parts, i.e., build-up, more rhythmic bridge, and dramatic ending.

“Tessera” was composed for the opening track of my first performance under the moniker of OE in 2002. Later, I brushed it up for the album “Director’s Cut (2004)” and got a lot of positive feedback about the released version. It should be noted that Tomoko Mukaiyama, a modern classical pianist residing in Amsterdam, liked and performed this song solo at her concert. That was a great honor to me as the composer.

The version used in this video is included in the 2018 release “New Classics Vol.1.” Compared to the first version in “Director’s Cut,” I think this latest mix was more meticulously crafted to articulate the story of the song.

OE-New Classics Vol1

Album Preview: https://youtu.be/nvgqp1yWo-Y

Composed and Produced by Tatsuya Oe (NexTone / JASRAC)
℗ © 2018 Model Electronic
Video credit: VideoBlocks, Pexels, and Pixabay

– Keywords for this track –
Contemporary Classical, Neo Classical, Minimalist, Uplifting, Electronica, IDM, Modern Classical, Minimal Piano, Building, Bright, Dramatic, Uplifting, Rhythmic, Positive, Hopeful, Dreamy

– Thumbnails-
OE - Tessera1
OE - Tessera2
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OE - Tessera7
OE - Tessera9
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OE - Tessera13
OE - Tessera14


You might also be interested in:
    OE - Speed of LoveOE – Speed of Love (Movie) OE - Spiral (Visualizer)OE – Spiral (Audio Visualizer) OE - Patterns of Passion (Visualizer)OE – Patterns of Passion (Audio Visualizer) Dark Model - LabyrinthDark Model – Labyrinth (Audio) OE - Blitz (Visualizer)OE – Blitz (Audio Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
4 September 2026

日本での知名度はほぼゼロだが、CNBCやBloombergからBBCまで、このところEd Zitron(エド・ジトロン)が経済メディアに登場しない日はない。 画面上の彼は「ブリティッシュアクセントでAIバブル崩壊論をまくしたてる好戦的な兄ちゃん」だが、自身のブログでは様々な経済データを用いて、かなり地に足のついた分析を展開している。アメリカ人の中からこういうタイプが現れないのは、実は日本と似て「空気で動く」からかもしれない。

The Diary Of A CEO 『AIをBSだと呼ぶ男、エド・ジトロン』 https://youtu.be/Lf5oqGOCRCM

No Title
3 September 2026

現在『アフリカを学ぶ人のために』という本を読んでいる。編者の松田素二教授によると、日常的に起こる紛争や対立の解決策として、加害者と被害者が「対話的真実」を求め話し合う試みがあるという(南アフリカやルワンダなどの例)。2050年頃には世界人口の4分の1が、今世紀末には3分の1以上がアフリカ人になると推計されている。彼らのコミュニケーション方法に興味を持ち、耳を傾けることは、決して無駄にはならないはずだ。

松田素二先生「私たちは今、アフリカから何を学ぶのか」京大知の森 https://youtu.be/sTmvnaMNlL8

No Title
31 August 2026

科学史には、複数の科学者がほぼ同時に同じ発見・発明をなす「複数同時発見(Multiples)」という現象がある。社会学者のR・K・マートンはこれを深掘りし、一人の天才による偉業も「社会の知識が成熟すれば、いずれ誰かが到達した発見を前倒しで達成したに過ぎない」と示唆した。天才とは特殊能力というより、時代の要請を効率よくカタチにする存在らしい。とすると、JBがファンクを作り出したのは「効率」なのか?なんか違う(笑)。

電話機は、いつ・だれが発明したの? |科学なぜなぜ110番 | キッズネット https://kids.gakken.co.jp/kagaku/kagaku110/science0444/

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