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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE – Tessera (Movie)

Home > Video > OE – Tessera (Movie)
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Language:

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Categories: New Classics Vol.1. Tags for Video: Contemporary.

Fast-paced contemporary classical/electronic piece that builds a musical story dramatically with multiple layers of rhythmic piano performances. Fast passages intersect vibrantly on the major chord transitions. This piece consists of three parts, i.e., build-up, more rhythmic bridge, and dramatic ending.

“Tessera” was composed for the opening track of my first performance under the moniker of OE in 2002. Later, I brushed it up for the album “Director’s Cut (2004)” and got a lot of positive feedback about the released version. It should be noted that Tomoko Mukaiyama, a modern classical pianist residing in Amsterdam, liked and performed this song solo at her concert. That was a great honor to me as the composer.

The version used in this video is included in the 2018 release “New Classics Vol.1.” Compared to the first version in “Director’s Cut,” I think this latest mix was more meticulously crafted to articulate the story of the song.

OE-New Classics Vol1

Album Preview: https://youtu.be/nvgqp1yWo-Y

Composed and Produced by Tatsuya Oe (NexTone / JASRAC)
℗ © 2018 Model Electronic
Video credit: VideoBlocks, Pexels, and Pixabay

– Keywords for this track –
Contemporary Classical, Neo Classical, Minimalist, Uplifting, Electronica, IDM, Modern Classical, Minimal Piano, Building, Bright, Dramatic, Uplifting, Rhythmic, Positive, Hopeful, Dreamy

– Thumbnails-
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You might also be interested in:
    OE - Speed of LoveOE – Speed of Love (Movie) OE - Spiral (Visualizer)OE – Spiral (Audio Visualizer) OE - Patterns of Passion (Visualizer)OE – Patterns of Passion (Audio Visualizer) Dark Model - LabyrinthDark Model – Labyrinth (Audio) OE - Blitz (Visualizer)OE – Blitz (Audio Visualizer)

Tatsuya Oe Updated: February 19, 2022

Microblog

No Title
8 February 2026

音楽家のインタビューでよく聞かれる質問の一つが「最初に買ったアルバムは?」というもの。僕はテクノのアーティスト/DJとしてプロのキャリアを始めたけれど、初めて買ったレコードはビリー・ジョエルだし、その後もプログレ、ニューウェーブ、そしてジャズ、現代音楽、R&B、ブラジリアンと渡り歩いてきたので、典型的なテクノ少年的な音楽遍歴ではない。僕にとってテクノとは、それらの音楽のグルーヴや躍動感を結晶化、あるいは抽出した「うまみ」のような存在。

OE – Tessera #pianomusic #minimalism #contemporary https://www.youtube.com/shorts/Syd7wtxF7GU

No Title
7 February 2026

感情を鍵盤に叩きつけるような、パーカッシブで荒っぽいピアノが大好きだ。ジャズならマッコイ・タイナー、そしてインディロックではベン・フォールズの演奏を時々猛烈に聴きたくなる。ピアノに限らず僕は、正確さよりもダイナミックさに惹かれるところがある。大学に入りたての頃、ファンカデリックのようなバンドをやりたくて幾つか音楽サークルを訪問したら、ユーミンのカバーをしていた上級生が「君、ピッキングが荒いね」。大学で音楽仲間を探すのはお門違いだった(笑)。

Ben Folds: NPR Music Tiny Desk Concert https://youtu.be/VNMms_zGbnI&t=1135

No Title
6 February 2026

(2/2) そして、その「(一神教的な文明にある)西洋人が最も難解に感じる世界」は、実は我々東洋人にとってはこうした難解な本を読まずとも「さらっと肌で感じられる」世界だったりする。彼が「無門関」など、禅の公案をいくつも紹介しているのは決して偶然ではない。僕も日々LLMを活用しているが、「言語化の自己ループ」を飛び出て「不思議の環」に到達する人間の知能は、AIが設計する知能とは全く違うということを忘れずに、AIと向き合いたい。

Dark Model – Cold Rain #cyberpunk #soundscape #pulse #timelapse https://www.youtube.com/shorts/oCL8oGS06F8

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