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Music for Soga Shohaku “Dragon and Clouds” (NHK BS Program)

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Home > Topics > New Tracks > Music for Soga Shohaku “Dragon and Clouds” (NHK BS Program)
Categories: New Tracks, Music Production, and Music Placement. Tags: NHK, Museum, Japan, and TV Program.
May 15, 2012
NHK BS "Gokujo Bi No Kyoen"

Tatsuya composed music and sound design for the introduction movie about Soga Shohaku (Japanese painter of the mid-Edo period) for NHK BS’s program “Gokujo Bi No Kyoen.”


This movie features his most impressive masterpiece called “Dragon and Cloud,” which is one of the collections by the Museum of Fine Arts, Boston, and now exhibited in Tokyo National Museum (March 20 -June 10) .

Tatsuya worked together with creative director Noriyuki Tanaka for the movie, and took a unique approach by using sounds of Japanese traditional instruments such as Taiko, Shakuhachi, and theatrical voices as often heard in Kabuki. Check out the program aired on May 23th (Wed).

This is the “first version” of “Dragon and Cloud.” In the final version which was actually used on the program, the percussion elements of the former part were removed.

Soga Shohaku "Dragon and Clouds"


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NHKMuseumJapanTV Program
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Tatsuya Oe Updated: December 12, 2025

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No Title
31 January 2026

今から22、3年前、モーリー・ロバートソンさんの自宅で EMS Synthi A というスーツケース型シンセの実物を初めて見た。その後、新宿のリキッドルームで爆音ノイズのコラボ・ライブをさせていただいたことを思い出す。僕が日本を離れた後、モーリーさんの博識と洞察力、そして温厚な人柄が広くお茶の間に浸透し、その多才ぶりがさらに開花していくさまを頼もしく思っていた。心よりご冥福をお祈りします。

EMS Synthi A Rare Vintage Analog Synthesizer https://youtu.be/7DnELcaVGpk

No Title
31 January 2026

日々の業務でAIChatは色々と使っているが、音楽制作のアイデア出しや作曲ツールとして使うことはない。僕が惹かれるコードの響きやリズムのシンコペーション、「間」の取り方、そして展開の予測不能さは、AIが目指している方向とはまったく異なるし、AIにアドバイスされるのも困る(笑)。これは老子の言う「無用の用」なのかもしれない。役に立たない(=AIが「攻略できる」と興味を示さない)ものこそ、侵食されずに生き延びるということ。

Dark Model – Labyrinth (Short Edit) #neoclassical #chambermusic https://www.youtube.com/shorts/_gxKDkvdgHg

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

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