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Tatsuya Oe Joins Sync Summit Hollywood as a panelist

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Home > Topics > Event/Party > Tatsuya Oe Joins Sync Summit Hollywood as a panelist
Categories: Event/Party. Tags: United States, Talk Session, Conference, and Music Business.
Nov 21, 2013
Tatsuya will join Sync Summit Hollywood as a panelist on Dec 4th, 2013.

Tatsuya was invited and will participate as a panelist in Sync Summit Hollywood, which will be held on Day 1 – December 4th.

About Sync Summit

Sync Summit is a high-level, focused networking event where top music supervisors, heads of music in visual and interactive media (TV, film, video games, advertising, the internet and mobile), label executives, publishers, music libraries, composers, artists, technologists, legal, accounting, brand managers and service providers gather for two days of discussion, networking and dealmaking.

Sync Summit is designed to be a different kind of conference – not a mere pitchfest where the connections made are soon forgotten or not followed up, or a general glossing over of the music in media market. Rather, Sync Summit is organized around fostering real, productive networking opportunities, presenting case studies of how music is discovered and used, evolving business models in the music in media market as well as creative and promotional considerations.

For the full agenda, visit SyncSummit.com.

PANEL DISCUSSION: The International Market

Roosevelt Hotel – Hollywood, CA
11:30 – 12:30 PM, Dec 4th – BALLROOM:

The business of music and media defies borders. Music supervisors and rights holders alike do business on a global scale, and there are opportunities for both sides from looking beyond their country to do business. The panel features top rights holders and music supervisors from across the globe discussing the challenges and opportunities in doing business internationally.

SPEAKERS:
Diana Rodriguez – CEO and Founder, Criteria Entertainment (LatAm)
Luciana Pegorer – Executive Director, Brazilian Association of Independent Music (Brazil)
Michèle Amar – CEO, France Rocks, Director, French Music Export Office (France)
Tatsuya Oe – Founder/CEO, Recording Artist, Dark Model (Japan, US)
Roberto Izaac – Head of Music Programming, mun2 (NBC Universo)
Anastasiya Mushchil – Chief of Synchronization Department, Firma Melodiya (Russia)
Andreas Katsambas – Founder/CEO, The End Records (US, EU)
Jen Taunton –Music Supervisor, Level Two Music (Australia)

MODERATOR:
Robert Singerman – Founder, Music With Subtitles


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United StatesTalk SessionConferenceMusic Business
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
27 December 2025

Jay-Z「The Story of O.J.」で、彼が俳優の故O.J.シンプソンについて語っているのはほんの少しで、後は黒人に対する「十戒」のような厳しい言葉が並ぶ。その中に「アドバンスを追うのではなく、本当のチャンスを狙え」という一節がある。権利を放棄する代わりに前払金をもらって、(インスタ)”グラム”で車や札束をひけらかすラッパーたちを批判しているようだ。お金は失うとショックが大きいが、権利を失ってもその深刻さにすぐ気付かないことが多い。

JAY-Z – The Story of O.J. https://youtu.be/RM7lw0Ovzq0

No Title
27 December 2025

人はお金と未来の話になると饒舌になる。何だか自分が賢くて、人の上に立った気になるのだと思う。昨日AIバブルに少し触れたけれど、AIやデータサイエンスなど「科学の未来」の話なのに、なぜ人々は「非科学的(文学的)」な予測に熱狂してしまうのだろう。テック企業やジャーナリストの語る未来は理性的な考察を飛び越え、チューリップ・バブルが起きた500年前と同じく、野蛮な過信や群集心理をあおる。科学は結局、人間の本能には勝てないのかな。

孫正義氏 「常時ON」で社員1人当たり1000個の"千手観音"AIエージェントを目指す https://ledge.ai/articles/softbank_world_2025_ai_agent_future

No Title
25 December 2025

「Breakout」というのは、膠着・停滞した状態から脱して、何らかの衝動的な出来事が勃発することを意味する。インパクトのある便利な言葉で、株式市場で長期間停滞していた銘柄の株価が急騰もしくは暴落した時にも用いられる。僕はその意味でこの言葉を曲名に使ったわけではないけど、先日「エヌビディアの時価総額が日本のGDPを越えたなんてバブルだ」という記事を目にしたので、それにちなんだショート動画を作ってみました。

OE – Breakout (Short Edit) #electronicmusic #funk #minimalism https://youtube.com/shorts/1xH38RtjJ8Y

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