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Tatsuya Oe Joins Sync Summit Hollywood as a panelist

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Home > Topics > Event/Party > Tatsuya Oe Joins Sync Summit Hollywood as a panelist
Categories: Event/Party. Tags: United States, Talk Session, Conference, and Music Business.
Nov 21, 2013
Tatsuya will join Sync Summit Hollywood as a panelist on Dec 4th, 2013.

Tatsuya was invited and will participate as a panelist in Sync Summit Hollywood, which will be held on Day 1 – December 4th.

About Sync Summit

Sync Summit is a high-level, focused networking event where top music supervisors, heads of music in visual and interactive media (TV, film, video games, advertising, the internet and mobile), label executives, publishers, music libraries, composers, artists, technologists, legal, accounting, brand managers and service providers gather for two days of discussion, networking and dealmaking.

Sync Summit is designed to be a different kind of conference – not a mere pitchfest where the connections made are soon forgotten or not followed up, or a general glossing over of the music in media market. Rather, Sync Summit is organized around fostering real, productive networking opportunities, presenting case studies of how music is discovered and used, evolving business models in the music in media market as well as creative and promotional considerations.

For the full agenda, visit SyncSummit.com.

PANEL DISCUSSION: The International Market

Roosevelt Hotel – Hollywood, CA
11:30 – 12:30 PM, Dec 4th – BALLROOM:

The business of music and media defies borders. Music supervisors and rights holders alike do business on a global scale, and there are opportunities for both sides from looking beyond their country to do business. The panel features top rights holders and music supervisors from across the globe discussing the challenges and opportunities in doing business internationally.

SPEAKERS:
Diana Rodriguez – CEO and Founder, Criteria Entertainment (LatAm)
Luciana Pegorer – Executive Director, Brazilian Association of Independent Music (Brazil)
Michèle Amar – CEO, France Rocks, Director, French Music Export Office (France)
Tatsuya Oe – Founder/CEO, Recording Artist, Dark Model (Japan, US)
Roberto Izaac – Head of Music Programming, mun2 (NBC Universo)
Anastasiya Mushchil – Chief of Synchronization Department, Firma Melodiya (Russia)
Andreas Katsambas – Founder/CEO, The End Records (US, EU)
Jen Taunton –Music Supervisor, Level Two Music (Australia)

MODERATOR:
Robert Singerman – Founder, Music With Subtitles


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United StatesTalk SessionConferenceMusic Business
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
27 January 2026

最近のUK/USインディ・レーベルの音をチェックしていると、「インディ」とは思えないほど、新人でも随分豪華なミュージックビデオ(MV)を作っている。複数のAIに「販促・宣伝費はどうやって捻出するの?」と聞いたところ、「実質的にはアーティストがレーベルにローン(前借り)する形です。アーティストは“リスクは最初に負い、報酬は最後に得る存在”なのです」と返ってきた。そうした世界から離れて、音楽業を30年、レーベルを20年続けてこられたことは奇跡かもしれない。

OE – Warning (Reconstruction Mix) (Short Edit) from “Early Techno Works 9697” https://www.youtube.co…

続きを読む

No Title
26 January 2026

人間は物語を自分本位に紡いでしまう性質がある。それが時に独善となり、自分を苦しめる。ヴィクトール・フランクルの説く「生きる意味」が、いつしか自分を縛る「執着(べき論)」に変貌する瞬間だ。ここでアルバート・エリスは「その解釈は認知的にゆがんでいないか? 自分を助ける考えか?」と自問し、主観の暴走を食い止めることを提唱する。フランクルとエリスは対照的に見えて、実は「解釈という刃」を使いこなすための、表裏一体の考え方だと思う。

Dark Model – Vigilant Eyes (Short Edit) #orchestralmusic #glitch #epicmusic https://youtube.com/shorts/sq3Qo5_d_FQ

No Title
26 January 2026

今月の Financial Timesで紹介されていた、各国の AI に対する印象を比較したグラフが印象に残っている。イプソスという調査会社のデータを図表化したものだったと思うが、日本は AI への不安も期待も、そして恩恵への実感も先進国で最下位だった。AI にユートピアもディストピアも感じない、というのは「バランス感覚がある」とするのか、「無批判・無抵抗(=お人好し)すぎる」のかは見方次第。ただ、Gemini は「ジェミナイ」と呼んでほしかったかな。

複数国にまたがるAI調査2025を実施 | イプソス https://www.ipsos.com/ja-jp/google-ipsos-multi-country-ai-survey-2025

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