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Dark Model – Inferno Suite (from “Saga”)

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Home > Topics > Dark Model > Dark Model – Inferno Suite (from “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

Apocalyptic and uplifting “Inferno Suite,” which is included in the latest album “Saga,” was composed as a self-contained “suite,” a sequence of short musical dramas. I came up with the rough idea of this track long before I undertook the Saga project. Still, I ended up spending much time solidifying the structures of each piece so that I could incorporate them into a thematic song, in other words, one story. Hopefully, you will feel excited about how the story plays out on this track.

By the way, from the song title, many of you may think I was inspired by Dante Alighieri’s (or Dan Brown’s Dante-inspired) “Inferno.” However, none of these have anything to do with my inferno experience. Do you know a 1974 American action disaster film “Towering Inferno” and The Trammps’ disco hit song “Disco Inferno,” which was featured in a ’77 phenomenal film “Saturday Night Fever”? Both are two of the most memorable and symbolic embodiments of American culture in the ’70s, which gave me vivid impressions as a kid living in Japan. It was much later than those experiences when I knew Dante’s the Divine Comedy.

Here are some reviews which described this track. Hopefully, you will enjoy these articles as well as the music.

“The following track “Inferno Suite” has a choral beginning that really gets listeners into the moody appeal of the piece. The racing, fast beats sets up the pace for the radically massive structure of the entire work. The electronic beats backed by an orchestra is fervent with an energetic vibe and surmounts from the addition of choral layered harmonies.”

(My Nguyen, The Celebrity Cafe)

“Our protagonists have set off from their home to fight evil, rescue the captives and return victorious. The heavy choir ramps up in intensity to highlight the dire nature of their quest.”

(Jon C. Ireson, Music News)

“The next song, “Inferno Suite,” features a larger-than-life choir and electronic bass clocked in a maximum. It’s a track that will easily pump up anyone working out to go the extra mile.”

(Isiah Reyes, Enter the Venture)

“Norwegian black metal band Dimmu Borgir meets Adam Ant in 1982 came to my mind.”

(Susie9mm, MIPR)

(I hadn’t known the band until I read this article.)

BPM: 135 (Various)
Keywords: Choir, Suite, Uptempo, Dramatic, Dark, Heavy, Apocalyptic, Industrial, Percussive
Composed and produced by Tatsuya Oe

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

 


You might also be interested in:
    Dark Model - Storm GoddessDark Model – Storm Goddess (from the new album “Saga”) Dark Model - SagaDark Model – Dawn of Resurrection (Anthemic Finale of “Saga”) Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - AvalonDark Model – Avalon (from the new album “Saga”) Dark Model - LabyrinthDark Model – Labyrinth (from “Saga”)
Saga
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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
2 March 2026

3月は事務作業が多く、音楽を浴びる時間が減る。散歩や運動中は語学番組やオーディオブックを聴くことが多く、音楽の出番が少ない。近く、音楽を聴きながら安全に歩ける運動公園の近くに引っ越す予定で楽しみだ。日本では自転車の交通違反が厳格化されるが、歩行者にとって、接近してくる自転車の動きや距離感が(自動車のそれと違って)どれだけ予測不能で、ランダムで怖いかを、運転者側に理解・想像させるのは絶望的に難しい。

OE – Sky High (Short Edit) #electronic #funk #techno #contemporarymusic https://www.youtube.com/shorts/0OboG1K-inM

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2 March 2026

昨年末に「今年はAIチャットによくお世話になった」と書いてまだ2か月だが、このところめっきり使う頻度が減り、サブスクもやめた。期待できる答えが返ってくる分野が意外と限られている(コーディングとか)ことが分かったので、それ以外のことを真剣に聞くだけ時間の無駄と思うようになったというのが近い。Redditとかでは「ChatGPT最近、マジでムカつくし、うざい」などと言われているが、機械相手に感情的になるくらいなら、電源を切って外に出よう。

Thundercat – It Is What It Is(それが現実だ/仕方ない) https://youtu.be/lqDs_quhy0I

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1 March 2026

大学生の頃に読んだマリー・シェーファーの『サウンド・エデュケーション』。彼が示した「サウンドスケープ(音の風景)」という概念は、音を取り巻く環境や生態系など「音との関係性」を問い直すきっかけをくれた。後に環境庁が「日本の音風景100選」を選定したが、収録音のチョイスやクオリティの素晴らしさはさておき、その実態は「音の風景」というよりも「風景の音(フィールドレコーディング)」に近い感じがした。ここに、あえてパルス音でも混ぜてみたい(笑)。

R. MURRAY SCHAFER: LISTEN | National Film Board of Canada https://youtu.be/rOlxuXHWfHw

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