• Search ...
  • English (en)English
  • 日本語 (ja)日本語
Tatsuya Oe (Captain Funk/Dark Mode/OE)
  • Home
    • Top (Japanese)
    • Topics
    • Sitemap
    • RSS Feeds
    • Contact
    • Privacy Policy
  • About
    • Biography
    • Projects
      • Captain Funk
      • Dark Model
      • OE
      • OE – Suchness
      • MER
      • Playmodel
    • Credits & Awards
    • Testimonials
    • Model Electronic Records
  • Discography
    • Captain Funk
    • Dark Model
    • OE
    • MER
    • Collaborations
    • Remixes
    • Compilations
    • Lyrics
  • Playlists
    • Musically Themed
      • Sci-fi / Cyberpunk
      • Disco / House
      • Downtempo / Trip-Hop / Mellow Hip-Hop
      • Synthwave & Dark Electro
      • Electronic Jazz Funk / Synth Boogie
      • Breakbeats Funk / Big Beat
      • Epic Hybrid: Uptempo
      • Epic Hybrid: Down & Midtempo
      • Swagger, Badass, and Gritty Music
      • Soundscape & Ambient
      • Uplifting Indie & Alternative Rock
      • Vintage Soul, Funk, and Jazz
      • Piano-Driven Tracks
      • Electronic Pop Vocals / Synthpop
    • Licensed Tracks
    • Captain Funk Playlists
    • Dark Model Playlists
    • OE Playlists
  • Blogs
    • Japanese Blog
    • Microblog (Day by Day)
    • English Blog
  • Videos
    • Sync Placements
    • Dark Model
    • Captain Funk
    • OE
    • MER
  • License Music
    • License Form
    • Licensing FAQ
    • Knowledge Base
    • Most In-demand Tracks
  • Links/Resources
    • Store Lists
    • Interviews & Resources

Dark Model – Inferno Suite (from “Saga”)

← Previous Topic │Topics Top│ Next Topic →
Home > Topics > Dark Model > Dark Model – Inferno Suite (from “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

Apocalyptic and uplifting “Inferno Suite,” which is included in the latest album “Saga,” was composed as a self-contained “suite,” a sequence of short musical dramas. I came up with the rough idea of this track long before I undertook the Saga project. Still, I ended up spending much time solidifying the structures of each piece so that I could incorporate them into a thematic song, in other words, one story. Hopefully, you will feel excited about how the story plays out on this track.

By the way, from the song title, many of you may think I was inspired by Dante Alighieri’s (or Dan Brown’s Dante-inspired) “Inferno.” However, none of these have anything to do with my inferno experience. Do you know a 1974 American action disaster film “Towering Inferno” and The Trammps’ disco hit song “Disco Inferno,” which was featured in a ’77 phenomenal film “Saturday Night Fever”? Both are two of the most memorable and symbolic embodiments of American culture in the ’70s, which gave me vivid impressions as a kid living in Japan. It was much later than those experiences when I knew Dante’s the Divine Comedy.

Here are some reviews which described this track. Hopefully, you will enjoy these articles as well as the music.

“The following track “Inferno Suite” has a choral beginning that really gets listeners into the moody appeal of the piece. The racing, fast beats sets up the pace for the radically massive structure of the entire work. The electronic beats backed by an orchestra is fervent with an energetic vibe and surmounts from the addition of choral layered harmonies.”

(My Nguyen, The Celebrity Cafe)

“Our protagonists have set off from their home to fight evil, rescue the captives and return victorious. The heavy choir ramps up in intensity to highlight the dire nature of their quest.”

(Jon C. Ireson, Music News)

“The next song, “Inferno Suite,” features a larger-than-life choir and electronic bass clocked in a maximum. It’s a track that will easily pump up anyone working out to go the extra mile.”

(Isiah Reyes, Enter the Venture)

“Norwegian black metal band Dimmu Borgir meets Adam Ant in 1982 came to my mind.”

(Susie9mm, MIPR)

(I hadn’t known the band until I read this article.)

BPM: 135 (Various)
Keywords: Choir, Suite, Uptempo, Dramatic, Dark, Heavy, Apocalyptic, Industrial, Percussive
Composed and produced by Tatsuya Oe

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

 


You might also be interested in:
    Dark Model - Danse MacabreDark Model – Danse Macabre (Dance of Death) Dark Model - Storm GoddessDark Model – Storm Goddess (from the new album “Saga”) Dark Model - AvalonDark Model – Avalon (from the new album “Saga”) Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - SagaDark Model – Dawn of Resurrection (Anthemic Finale of “Saga”)
Saga

Share

← Previous Topic │Topics Top│ Next Topic →

Tatsuya Oe Updated: December 26, 2021

Video

  • Northern Ballet (UK) feat. Dark Model “Fire Back”Northern Ballet (UK) feat. Dark Model “Fire Back”

Today’s Popular Topics

  • Day by Day (Microblog)
  • OE “Letting Go (Suchness 6)” out on Oct 3rd, 2025
  • Tatsuya Oe Biography
  • Licensing Guide (Knowledge Base)
  • FAQs about Licensing Our Music
  • Captain Funk – “Hey Boy,Hey Girl (feat. Meri Neeser)” Live
  • Model Electronic Records
  • [Album Medley] Captain Funk – Sunshine (Deluxe Edition)

Language:

  • English
  • 日本語

Playlists

All Playlists

Microblog

No Title
14 September 2025

創作手法にあえて制約や縛りを設けることで、よりクリエイティブなものが生まれることもある。これは作り手なら誰もが経験しているだろう。ただ、そうして生まれた作品を受け手がどう感じるか以前に、このアプローチ自体が目的化・教義化してしまったり、作り手としてむしろ満足できないクオリティに陥ってしまうなら意味がない。そんなことを、かつて話題になった映画製作運動『ドグマ95』を思い出しながら考えた。昨日の「度胸比べ」も厄介だが、「ガマン比べ」も大変だ。

トマス・ヴィンターベア『セレブレーション』(1998) https://amzn.to/4ppfNbo

No Title
13 September 2025

AI研究者・認知科学者として知られるゲイリー・マーカスは、AIの進化の行方について数年前から強い警鐘を鳴らしてきた。炎上好きな彼ゆえ、その発言はある程度割り引いて受け止めるのが賢明だが、日本のIT界には「あえて現状を疑い、問題を突きつける」論客が少ない。いずれにしても、AIビジネスが「誰のテストステロン(男性ホルモン)が一番か」とばかりに、まるでカジノの度胸比べのようになっている現状こそ、まさにバブル(=行き過ぎ)だとも言える。

ゲイリー・マーカス『AIバブルのピーク』 https://garymarcus.substack.com/p/peak-bubble

No Title
13 September 2025

Mac OSが今で言うクラシック環境だった頃、とても個性的で、しかも重宝し、しかも殆ど誰も知らない(笑)音声合成ソフトがあった。数年に一度はそのソフトを再び使いたくなるのだが、Basilisk IIというエミュレーターとMac OS 7.5.3のディスク(!)などを用意して下準備をしなければならないため、毎回思い立っては即座に挫折する。OE『Physical Fiction』や『New Classics Vol.2』に収録されている曲でよく用いた。

OE 『New Classics, Vol. 2』 https://amzn.to/3HZTRDc

Menu

  • About
  • Discography
  • English Blog
  • Japanese Blog
    • Microblog
  • License Music
  • Links & References
  • RSS Feeds
  • Contact
  • Sitemap

Categories in Topics

Copyright © 2002-2025 Tatsuya Oe / Model Electronic. All rights reserved.
Read previous post:
OE-New Classics
OE “New Classics Vol.1 & 2” will be released on April 20th, 2018

Tatsuya will release his two new albums "New Classics Vol.1 & 2" on April 20th, 2018 (CD & Digital). These...

Close