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Dark Model – Inferno Suite (from “Saga”)

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Home > Topics > Dark Model > Dark Model – Inferno Suite (from “Saga”)
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

Apocalyptic and uplifting “Inferno Suite,” which is included in the latest album “Saga,” was composed as a self-contained “suite,” a sequence of short musical dramas. I came up with the rough idea of this track long before I undertook the Saga project. Still, I ended up spending much time solidifying the structures of each piece so that I could incorporate them into a thematic song, in other words, one story. Hopefully, you will feel excited about how the story plays out on this track.

By the way, from the song title, many of you may think I was inspired by Dante Alighieri’s (or Dan Brown’s Dante-inspired) “Inferno.” However, none of these have anything to do with my inferno experience. Do you know a 1974 American action disaster film “Towering Inferno” and The Trammps’ disco hit song “Disco Inferno,” which was featured in a ’77 phenomenal film “Saturday Night Fever”? Both are two of the most memorable and symbolic embodiments of American culture in the ’70s, which gave me vivid impressions as a kid living in Japan. It was much later than those experiences when I knew Dante’s the Divine Comedy.

Here are some reviews which described this track. Hopefully, you will enjoy these articles as well as the music.

“The following track “Inferno Suite” has a choral beginning that really gets listeners into the moody appeal of the piece. The racing, fast beats sets up the pace for the radically massive structure of the entire work. The electronic beats backed by an orchestra is fervent with an energetic vibe and surmounts from the addition of choral layered harmonies.”

(My Nguyen, The Celebrity Cafe)

“Our protagonists have set off from their home to fight evil, rescue the captives and return victorious. The heavy choir ramps up in intensity to highlight the dire nature of their quest.”

(Jon C. Ireson, Music News)

“The next song, “Inferno Suite,” features a larger-than-life choir and electronic bass clocked in a maximum. It’s a track that will easily pump up anyone working out to go the extra mile.”

(Isiah Reyes, Enter the Venture)

“Norwegian black metal band Dimmu Borgir meets Adam Ant in 1982 came to my mind.”

(Susie9mm, MIPR)

(I hadn’t known the band until I read this article.)

BPM: 135 (Various)
Keywords: Choir, Suite, Uptempo, Dramatic, Dark, Heavy, Apocalyptic, Industrial, Percussive
Composed and produced by Tatsuya Oe

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.

 


You might also be interested in:
    Dark Model - Storm GoddessDark Model – Storm Goddess (from the new album “Saga”) Dark Model - SagaDark Model – Dawn of Resurrection (Anthemic Finale of “Saga”) Dark Model - SagaDark Model – Survivors (from the new album “Saga”) Dark Model - AvalonDark Model – Avalon (from the new album “Saga”) Dark Model - LabyrinthDark Model – Labyrinth (from “Saga”)
Saga
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Tatsuya Oe Updated: December 12, 2025

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No Title
24 February 2026

白地に黒の四角が2個あった時、その間が徐々に狭くなって一つに見えてしまう仕掛けがあるとする。どこまで差が小さくなったら一つに融合して見えるかを測った時、2.1kHz(少し高めの音)を聞きながらその仕掛けを見た被験者は、その差の見極めが鋭くなったという。音で視力がよりクリアになったりぼやけたりするというのは、とても興味深い。私たちの五感は独立しているのではなく、脳の中で複雑に響き合い、一つの世界を作り上げている。

Captain Funk – Girlfriend #disco #funk #housemusic #uplifting https://www.youtube.com/shorts/zdsgFdOcIKg

No Title
23 February 2026

ジェームズ・クリアーは「環境は習慣を作る”見えない手”だ」と言い、自制心の強い人は、実は「自制心を使わなくても済む仕掛け/仕組み/ルーティーン」を作るのが上手い人のことだと説いた。離れた部屋で眠るギターを手に取るには強い意志が要るが、視界に入る場所に置かれたギターには、自然に手が伸びる。成長のための負荷を「良い摩擦」として残し、目的達成や成長を留まらせる「悪い摩擦」を減らす。仕組みや環境を見直し、アップデートしていこう。

「やる気」は過大評価されている。より大事なのは「環境作り」の方だ。 https://jamesclear.com/power-of-environment

No Title
22 February 2026

ドキュメンタリー「イマジニアリング」を見て再確認できることは、テクノロジーはあくまで「手段」であり、クリエイティブこそがその「目的」であるという事実。 本来、表現したいものがあるからこそ技術は発展してきた。しかし、昨今は手段(テクノロジー)が目的(クリエイティブ・社会的意義)を飲み込んでしまっているようにも感じる。 だからこそ今、あえて「テクノロジーを使わないクリエイティブ」に宿る価値を、深く考える習慣を取り戻したい。

錯覚作品「Magnet Like Slopes」(明治大学MIMS・杉原厚吉作) https://youtu.be/_bwsqRxqOvI

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