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Dark Model – Prelude

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Home > Topics > Dark Model > Dark Model – Prelude
Categories: Dark Model and New Tracks. Tags: Saga. Formats: Video.

“Prelude” is the opening track of the album “Saga.” While the first album mainly consisted of somber, literally “dark” tracks including the opening “Dance of Wrath,” as the tagline “Unleash your inner hero” indicates, I wanted Saga to have more uplifting elements and hooks so that the listeners can feel like a hero and immerse themselves to the motivational worldview of the album.

As you can hear in traditional fanfares and national anthems, when it comes to making (orchestral) music sound “motivational” or “rousing,” it is common to feature brass/horn instruments. I chose, however, not to use them and decided to go mainly with strings because I wanted to make a sharp contrast with the following fanfare-like track “Avalon,” which compounds full brass sound with massive electronic beats. I hope the decision worked well for the story of Saga to move forward dramatically.

Here are some reviews which described this track. Enjoy them as well as the music.

“This epic album starts out with ‘Prelude,’ an operatic start that immediately dives into a dramatic stronghold with the heightened effect of symphonic elements layered in with energetic strings and the movements of electronic music. The orchestral embellishment is definitely highly-strung, and with the ebb and flow of the symphony, there are moments where audiences will be left starry-eyed and mesmerized.”

(My Nguyen, rBeatz)

“The first track, ‘Prelude,’ sounds like it could be used in an action flick. Its intro sounds like the theme song to a perpetrator being 2 steps behind you. It then picks up a blistering pace that leads to the songs crescendo. Awesome stuff.”

(Johnny Taylor, Now Hear This)

“‘Saga is introduced by a high flying ‘Prelude’ that seems to lead you to uncover a magic kingdom in ‘Avalon’.”

(Jon C. Ireson, Music News)

BPM: 150
Keywords: Modern Classical, Contemporary, Dramatic, Epic, Heroic, Hopeful, Orchestral, Triumphant, Tutti, Uplifting, Marching Drum
Composed and produced by Tatsuya Oe

These tracks are excerpts from Tatsuya Oe’s composition and production works. Regarding media synchronization such as advertising, film/TV, and video games, third parties must obtain proper commercial licenses prior to any usage of the musical works contained herein which are considered to be protected musical works. Please contact us via License Form to obtain a license. Several tutorial pages for music licensing are available as well.


You might also be interested in:
    Dark Model - AvalonDark Model – Avalon (from the new album “Saga”) Now Hear This -Saga-Dark Model on Huffington PostDark Model “Saga” scored 4.5 out of 5 on The Huffington Post Dark Model - SagaDark Model – Dawn of Resurrection (Anthemic Finale of “Saga”) Dark Model - Storm GoddessDark Model – Storm Goddess (from the new album “Saga”) Dark Model - LabyrinthDark Model – Labyrinth (from “Saga”)
Saga
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Tatsuya Oe Updated: December 12, 2025

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3 November 2026

人間が創造するものは常に諸刃の剣で、人の役に立つと同時に人を傷つけ、攻撃する道具にもなりうる。AIやハイテクのような今日的なもの以前に、まず「言葉」がそうだ。だが、扱いが難しい言葉とともに、音楽を構成する大事な要素である「メロディ」はどうだろう? メロディは、人間が創り出したものの中で唯一と言っていいくらいに「誰も傷つけない」ものではないか。先日他界したニール・セダカのこの名曲をふと思い出し、そんなことを考えた。

Neil Sedaka – Laughter In The Rain (Live, 1977) https://youtu.be/y5H6G58hBUo

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2 November 2026

先日紹介したアビング氏の本では、ポップスターと貧乏な芸術家の対比が強調されていたが、実際は(欧米では特に)、世間の言うスーパースターは「スーパー破産人」であることも少なくない。エンタテイメント・ビジネスというのは結局のところ「人と金」の問題だから、ここに無頓着だったり安易に人任せにすると、スーパースターですら「そうめん流しの最後尾」になり、手元には借用書だけが残る。このビジネスの、創作以上にタフな「盲点」でもある。

ティンバランド、元マネージャーらに対し1500万ドルの詐欺訴訟 https://www.digitalmusicnews.com/2026/11/02/timbaland-lawsuit-former-managers/

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1 November 2026

「職業は他人から規定されるものではない」と書いたが、組織人は割り当てられたスロット(仕事内容や責任範囲)で規定される。ただ、その枠組みがその人個人の可能性を規定するものでは勿論ない。肩書でも病名でも、人は名前を与えられるとその定義へ自分を収斂させてしまう暗示効果がある(ラベリング効果)。どうせならこの習性を、自分の可能性を広げる方向に使いたい。ただし中二病とラベリングされないよう控えめに(笑)。

マスク氏に新たな肩書、テスラの「テクノキング」:AFPBB News https://www.afpbb.com/articles/-/3336919

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