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MER “Cosmic Funk Expo 1: Vintage Electronic Jazz Funk Vibes” Out on May 23, 2025

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Home > MER > MER “Cosmic Funk Expo 1: Vintage Electronic Jazz Funk Vibes” Out on May 23, 2025
Categories: MER, Topics, and Model Electronic. Tags: Release and Digital distribution. Formats: Video.

MER’s ninth release is a compilation album that distills the essence of jazz-funk—a genre that took the world by storm in the late 1970s through the early 1980s—and reimagines it through the lens of contemporary electronic music. It features a tight groove woven from bouncy beats, undulating synth basslines, and percussive slap bass, layered with spacey synthesizer arrangements, piano, and brass. The result is a work brimming with the uplifting energy, futuristic flair, and mellow vibes characteristic of that era’s crossover jazz.

Contents

  • “Cosmic Funk Expo 1: Vintage Electronic Jazz Funk Vibes” Tracklist
  • Album Info & Credit
  • Album Description
  • Downloads & Streaming Services

“Cosmic Funk Expo 1: Vintage Electronic Jazz Funk Vibes” Tracklist

MER - Cosmic Funk Expo 1 1. Captain Funk – Funky Suplex
2. Captain Funk – Can You Feel It
3. MER – Gemini
4. Captain Funk – Star Parade
5. Captain Funk – Fly High
6. MER – Lunar Mood
7. MER – Interstellar Love
8. MER – Orbit Swing
9. MER – Comet Lady
10. OE – Moon Landing (Cosmic Funk Mix)
11. MER – Night Mission
12. MER – Miami 77
13. MER – Twilight Lagoon


Album Info & Credit

Artist Name: MER
Album Title: “Cosmic Funk Expo 1: Vintage Electronic Jazz Funk Vibes”
Release Date: May 23, 2025
Format: Digital (No physical release)
Product No: MER-3009
UPC Code: 198595519943
Label: Model Electronic Records
All tracks composed and produced by Tatsuya Oe (NexTone/JASRAC)

Album Description

The MER (Model Electronic Records) series was initially produced for the film and broadcasting industry and has been highly acclaimed by music supervisors both in Japan and overseas. To make these releases more accessible to music fans, general distribution on platforms like Apple Music and Spotify began with the release of “Anti-Crime Breaks (MER-3006)” in 2021.

“Cosmic Funk Expo 1: Vintage Electronic Jazz Funk Vibes,” the latest release under the moniker of MER, is a compilation album that captures the atmosphere of jazz-funk, which captivated the globe in the late ’70s and early ’80s, and elevates it into the realms of modern electronic music and R&B. With bouncy beats, undulating synth bass, and percussive slap bass creating tight grooves; the music is further enhanced by arrangements of spacey synths, piano, and brass. This album is packed with the euphoria, futuristic spirit, and mellowness unique to crossover jazz of that era. Blending a vintage aesthetic reminiscent of modern hip-hop, R&B, and vaporwave, the album features 13 completely original tracks—no samples from existing recordings were used.

Downloads & Streaming Services

Worldwide

Bandcamp
Apple Music US | JP
Amazon US | JP | UK | FR | GR | IT
7digital
Spotify
Deezer
Tidal
Qobuz
iHeartRadio
Shazam
Youtube Music (Streaming)

Japan

AWA
Music.jp
Dwango.jp
Recochoku(incl. Hi-Res)
Mora (Hi-Res)
OTOTOY (Lossless) (Hi-Res)
KKBox
Line Music
Rakuten Music

Other Asian countries

QQMusic
Kuwo Music(酷我音楽)
NetEase Cloud Music(網易雲音楽)
Xiami Music(蝦米音楽)


You might also be interested in:
    MER - Cosmic Funk Expo 2MER “Cosmic Funk Expo 2: Vintage Electronic Jazz Funk Vibes” Out on Aug 22, 2025 Anti-Crime Breaks: Thrilling and Badass Jazz Funk TracksMER “Anti-Crime Breaks: Thrilling and Badass Jazz Funk Tracks” Out on Aug 23 MER - Cyber City ConnectionMER “Cyber City Connection: Urban Synthwave and Electro Funk” Out on Sep 20, 2024 MER - Soul Funk Ska MoodsMER “Soul Funk Ska Moods: Groovy Ska and Rocksteady Mixes” Out on July 28 YouTube OACOfficial Artist Channels Now Available on YouTube
ReleaseDigital distribution
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凹凸の少ないフローリングの部屋は、音を吸収するものがなく、壁や床で音が何度も反射してしまう。特にエネルギーの強いベース音は、部屋の角や壁際に溜まりやすい。見た目こそ洒落ているが、響きが「ライブすぎる」ため、リスニングならまだしも制作には全く不向きだ。今回突発的に思いついて、スピーカーのリアポート(背面の穴)に靴下を突っ込んでみた。この「ソックスチューニング」のおかげで、4畳半の和室のような、デッドで制作向きの音に仕上がった。

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中学生の頃、当時人気のあった音楽雑誌に「たとえて言えばライオネル・リッチーは五木ひろし、ダイアナ・ロスは美空ひばり」という記事を見て、その比較の強引さに度肝を抜かれた。今考えると、それは単に「国民的人気歌手」だと言いたいだけで、音楽性やミュージシャンシップの話ではなかったと思う。 同様に、JBを北島三郎さんと並べるのもミスリーディングだ。ただし、いつ聴いても「まつり」の破壊力には畏れ入る。何か、のっけからスラップベース鳴ってない?

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