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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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[Album Medley] OE – Compositions in Light

Home > Video > [Album Medley] OE – Compositions in Light
  • Videos
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      • Driving Orchestral Electro Mix
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      • Metropolis
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      • Early Techno Works 9697
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      • Compositions in Light
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      • Anti-Crime Breaks
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Categories: Compositions in Light. Tags for Video: Contemporary, IDM, Electronic Funk/Synth Funk, and Electronica.

“Minimalism and grooves weave the interplay of light and shadow.”

In 2024, Tatsuya Oe, who previously released ambient works such as “Starry Messenger” and “Seisei Ruten,” as well as the early techno compilation “Early Techno Works 9697” under the OE alias, has now released a contemporary electronic album, which is the mainstream style for this alias. While inheriting the minimalist and progressive approach showcased in last year’s “Compositions in Blue,” this new work features more groovy and rhythmical tracks, resulting in a vibrant and dynamic album.

Album Details (on Discography):https://l.tatsuyaoe.com/KPXjv3

– “OE – Compositions in Light” Tracklist –

1. Breakout
2. Sky High
3. The River Flows on
4. Dance of Shadows
5. Coast to Coast
6. Rejoice
7. Lake Poets
8. Chapel Song
9. Glaciers
10. Neo Metropolis
11. Sky High (Instrumental Mix)
12. Rejoice (Instrumental Mix)
13. Chapel Song (Instrumental Mix)
14. Neo Metropolis (Instrumental Mix)

Tatsuya Oe / Model Electronic Records · OE – Compositions In Light [Album Sampler] (Contemporary / Synthpop / Minimalism / Funk)


You might also be interested in:
    OE-Compositions in Blue Medley[Album Medley] OE – Compositions in Blue OE - Sky HighOE – Sky High OE - Early Techno Works 9697[Album Medley] OE – Early Techno Works 9697 OE - MobiusOE – Mobius (from “Compositions in Blue”) [Album Medley] MER - Cyber City Connection[Album Medley] MER – Cyber City Connection: Urban Synthwave and Electro Funk

Tatsuya Oe Updated: October 8, 2024

Microblog

No Title
31 January 2026

今から22、3年前、モーリー・ロバートソンさんの自宅で EMS Synthi A というスーツケース型シンセの実物を初めて見た。その後、新宿のリキッドルームで爆音ノイズのコラボ・ライブをさせていただいたことを思い出す。僕が日本を離れた後、モーリーさんの博識と洞察力、そして温厚な人柄が広くお茶の間に浸透し、その多才ぶりがさらに開花していくさまを頼もしく思っていた。心よりご冥福をお祈りします。

EMS Synthi A Rare Vintage Analog Synthesizer https://youtu.be/7DnELcaVGpk

No Title
31 January 2026

日々の業務でAIChatは色々と使っているが、音楽制作のアイデア出しや作曲ツールとして使うことはない。僕が惹かれるコードの響きやリズムのシンコペーション、「間」の取り方、そして展開の予測不能さは、AIが目指している方向とはまったく異なるし、AIにアドバイスされるのも困る(笑)。これは老子の言う「無用の用」なのかもしれない。役に立たない(=AIが「攻略できる」と興味を示さない)ものこそ、侵食されずに生き延びるということ。

Dark Model – Labyrinth (Short Edit) #neoclassical #chambermusic https://www.youtube.com/shorts/_gxKDkvdgHg

No Title
29 January 2026

アメリカにいると特に、「価格」と「価値」は全く別物だということを思い知らされる。このコラムにもあるように、もはや古典的なミクロ経済学の概念は殆ど意味をなさない。だが音楽ビジネスがさらに絶望的なのは、作り手側から「価格決定権」が完全に剥奪されてしまったことだ。プラットフォームやテック企業を非難するのはたやすいが、音楽業界側の脇の甘さと怠慢が招いた、「知恵比べの敗北」であることは否定できない。

価格は消費者からむしり取る手段となった | 小幡績教授のアフターエコノミクス https://toyokeizai.net/articles/-/931184

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