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Music Placements for Media and Advertising – Winter 2013 –

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Home > Topics > Dark Model > Music Placements for Media and Advertising – Winter 2013 –
Categories: Dark Model. Tags: ASUS, Scandinavia, TV Commercial, Germany, United States, Sync License, Video Game, United Kingdom, Verizon, Advertising, and Videos.
Jan 28, 2013
Brands, companies, and media for which Tatsuya’s music was licensed and featured for the purpose of their advertising/branding campaigns and promotion activities (2012 Q4, 2013 Q1). All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this web page have no affiliation to, and is not associated or sponsored by any of these trademark owners.

These are examples of television networks’ (incl. cable & satellite providers) programs and corporate advertising campaigns where Tatsuya (as Captain Funk, Dark Model, etc)’s music was used and featured (mainly in the North America. Examples of some other territories incl. Japan are excluded).

As to other/past placements, please refer to Music Placement on News page or Credits.
Note: All these company, brand and product names are trademarks or registered trademarks of their respective holders. Tatsuya and this website have no affiliation to and is not associated or sponsored by any of these trademark owners.

Contents

  • Branding Campaign/Advertising/Corporate (Broadcast TV/Web)
  • Web Magazine/Events/Other

Branding Campaign/Advertising/Corporate (Broadcast TV/Web)

Verizon Wireless (Mobile Network, US) “Droid DNA” TV Commercial: Details
ASUS + INTEL (Personal Computer, US) “the making of – IN SEARCH OF INCREDIBLE”: Details
Adidas Originals + Vice Germany (Sports Apparel, Germany) “Adidas Magazine Release Party”
Pfizer / Advil (Ibuprofen, US) “FAA Need for Speed”
Blizzard Entertainment (Video game developer and publisher, US) “Battle.net World Championship”
Lego (Toys, Denmark) To be announced
PG&E (Pacific Gas and Electric Company, US) “MBA Recruitment”
TRESemme (Haircare, US) “Style Studio”

Web Magazine/Events/Other

Wallpaper* + McGarry Bowen UK (Magazine) “The Moving Edition”
Time Inc. / People.com (Magazine) “Emmys 2012”

-Reels- (Limited to open and embeddable videos as of mid of Jan 2013. To be Updated)

Verizon Wireless (US) “Droid DNA” TV Commercial

ASUS + INTEL “the making of – IN SEARCH OF INCREDIBLE” (US)

Wallpaper* / The Moving Edition (UK)

Adidas Originals + Vice “Adidas Magazine Release Party” (Germany)

adidas Originals-Magazine Release Party

People.com (Magazine) “Emmys 2012” (US)


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Tatsuya Oe Updated: December 12, 2025

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Categories in Topics

Microblog

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2 March 2026

昨年末に「今年はAIチャットによくお世話になった」と書いてまだ2か月だが、このところめっきり使う頻度が減り、サブスクもやめた。期待できる答えが返ってくる分野が意外と限られている(コーディングとか)ことが分かったので、それ以外のことを真剣に聞くだけ時間の無駄と思うようになったというのが近い。Redditとかでは「ChatGPT最近、マジでムカつくし、うざい」などと言われているが、機械相手に感情的になるくらいなら、電源を切って外に出よう。

Thundercat – It Is What It Is(それが現実だ/仕方ない) https://youtu.be/lqDs_quhy0I

No Title
1 March 2026

大学生の頃に読んだマリー・シェーファーの『サウンド・エデュケーション』。彼が示した「サウンドスケープ(音の風景)」という概念は、音を取り巻く環境や生態系など「音との関係性」を問い直すきっかけをくれた。後に環境庁が「日本の音風景100選」を選定したが、収録音のチョイスやクオリティの素晴らしさはさておき、その実態は「音の風景」というよりも「風景の音(フィールドレコーディング)」に近い感じがした。ここに、あえてパルス音でも混ぜてみたい(笑)。

R. MURRAY SCHAFER: LISTEN | National Film Board of Canada https://youtu.be/rOlxuXHWfHw

No Title
27 February 2026

「映画にドラマはいらない。ただそこに人間がいて、何かが匂ってくればいいんだ」。かつて小津安二郎はインタビューでそう語ったという。ドゥルーズは小津の映像を「純粋な視覚的・聴覚的状況」と呼んだ。映像デザイン、あるいは環境映像的か。確かに小津の映画は無音でも楽しめる。彼はあの時代、すでに我々とは違う次元で映画を捉えていたのだろう。小津に影響を受けたという米映画『コロンバス』を観ながら、そんなことを考えた。

映画『コロンバス』予告編 https://youtu.be/FawH3iR5Ems

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