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OE “Hollow Stone” on Quiksilver North America “Bali’s Big Eco Weekend”

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Home > Topics > OE > OE “Hollow Stone” on Quiksilver North America “Bali’s Big Eco Weekend”
Categories: OE and Music Placement. Tags: Remix, United States, Sync License, Hollow Stone, and Advertising. Formats: Video.

OE “Hollow Stone (Remix)” was licensed and used in Quiksilver North America‘s promo video called ”Bali’s Big Eco Weekend: Uluwatu Challenge.”

[Updated] This new remix is included in OE’s 2018 release “New Classics Vol.1.

OE-New Classics Vol1



The original version of “Hollow Stone” is included in OE‘s 2002 release “Here and You.”


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Tatsuya Oe Updated: December 12, 2025

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Microblog

No Title
13 January 2026

エドワード・サイードの代表的著書「オリエンタリズム」で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、居場所なし)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの中の場違い」である僕は(笑)、彼の本から生き方のヒントを学ぶ。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

No Title
13 January 2026

Web2.0華やかりし頃にWiredのクリス・アンダーソンが「ロングテール」という概念を打ち出した。販売機会の少ない商品でもアイテム数を幅広く取り揃えることで、総体としての売上げは大きくなるという理想郷。あれから20年経ち、Spotifyは年間1,000回再生に満たない楽曲にはロイヤリティを支払わないというルールを導入した。デジタルの世界でも管理コストはかかるし、アルゴリズムはロングテールに味方しない。現実の流通・小売と同じと言えば同じ。

Spotify defends 1,000-stream royalties threshold after critical report https://bit.ly/4jGvXen

No Title
11 January 2026

40過ぎる頃までは、超夜型の生活をしていた。東京に住んで西海岸の連中と仕事をしていると、朝6時になっても、まだ彼らは昼食の時間。時間が押しているプロジェクトになると、いつまで経っても寝られない、なんてこともしばしば。ただ、渡米して彼らと同じ時間帯で仕事ができて楽になったかというと、その手の「他人のペースで動く仕事」自体をきっぱりやめた。それ以降、僕にとっての朝6時は普通に「起床の時間」になった。めでたしめでたし。

Captain Funk – Night Shift (Short Edit) #disco #funk #deephouse https://youtube.com/shorts/gSmk-SZOQGY

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