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Tatsuya Oe (Captain Funk/Dark Mode/OE)
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OE

Home > Projects > OE

O.E. (E is pronounced as long E, like “O.E.”) is a side project of Japanese electronic music producer Tatsuya Oe. He launched this project to pursue creative freedom and experimentation beyond the musical scope of his other projects, such as Captain Funk and Dark Model. Compared to those main projects’ distinctive groove-based sound characters, O.E. leaves some room to try a wide range of music styles while distancing himself from music formalism. Sometimes it may be categorized as contemporary classical, sometimes ambient electronica, or post-rock.

OE Related Pages on Tatsuyaoe.com

OE studio albums
Topics about OE
OE videos
List of digital services and physical stores
List of OE related websites (Wikipedia and Discogs)

Releases

OE - Compositions in Blue

Compositions in Blue (2023)

OE - Suchness 2

Suchness 2 (2023)

OE - Suchness

Suchness (2020)

OE - New Classics Vol.1

New Classics Vol.1 (2018)

OE - New Classics Vol.2

New Classics Vol.2 (2018)

OE-Directors Cut

Director’s Cut (2004)

OE-Physical Fiction

Physical Fiction (2003)

OE-Here and You

Here and You (2002)


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Tatsuya Oe Updated: August 31, 2023

Model Electronic Records Catalog for Sync Professionals

Sync Agent Wanted

Experienced Sync Agent Wanted

Licensing Guides & Form

  • Discover Our Music Catalog for Professional Licensing
  • Playlist: Most In-demand Tracks for Sync Licensing
  • FAQs about Licensing Our Music
  • Licensing Guide (Knowledge Base)
  • How to Work with Performing & Mechanical Rights Organizations
  • Licensing Our Music

Language:

  • English
  • 日本語

Playlists

All Playlists

Today’s Popular Topics

  • Day by Day (Microblog)
  • OE “Letting Go (Suchness 6)” out on Oct 3rd, 2025
  • Tatsuya Oe Biography
  • Licensing Guide (Knowledge Base)
  • FAQs about Licensing Our Music
  • Captain Funk – “Hey Boy,Hey Girl (feat. Meri Neeser)” Live
  • [Updated] Dark Model “Judgment Day” achieved 6 million streams on NetEase Cloud Music (China)
  • [Album Medley] Captain Funk – Heavy Mellow (Deluxe Edition)

Microblog

No Title
13 September 2025

AI研究者・認知科学者として知られるゲイリー・マーカスは、AIの進化の行方について数年前から強い警鐘を鳴らしてきた。炎上好きな彼ゆえ、その発言はある程度割り引いて受け止めるのが賢明だが、日本のIT界には「あえて現状を疑い、問題を突きつける」論客が少ない。いずれにしても、AIビジネスが「誰のテストステロン(男性ホルモン)が一番か」とばかりに、まるでカジノの度胸試しのようになっている現状こそ、まさにバブル(=行き過ぎ)だとも言える。

ゲイリー・マーカス『AIバブルのピーク』 https://garymarcus.substack.com/p/peak-bubble

No Title
13 September 2025

Mac OSが今で言うクラシック環境だった頃、とても個性的で、しかも重宝し、しかも殆ど誰も知らない(笑)音声合成ソフトがあった。数年に一度はそのソフトを再び使いたくなるのだが、Basilisk IIというエミュレーターとMac OS 7.5.3のディスク(!)などを用意して下準備をしなければならないため、毎回思い立っては即座に挫折する。OE『Physical Fiction』や『New Classics Vol.2』に収録されている曲でよく用いた。

OE 『New Classics, Vol. 2』 https://amzn.to/3HZTRDc

No Title
11 September 2025

先日、池上彰さんが「嫌いな言葉は『真実』」と話しているのを見て、すぐに思い出したのは、トランプが設立したSNS「トゥルース・ソーシャル」だった。「真実と虚偽は顔が似ている。我々は欺瞞を拒む根性がないばかりか、むしろ自ら進んで罠に飛び込んでいく。虚しいことに、巻き込まれるのが好きなのだ。」モンテーニュがこう説いたのは、16世紀半ば。

『モンテーニュ よく生き、よく死ぬために』(講談社学術文庫) https://amzn.to/48e2e8F

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