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Model Electronic Records

Home > Model Electronic Records

Model Electronic Records


Model Electronic Records is an independent music label founded by Tatsuya Oe in 2006. The label is dedicated to creating electronic music with a distinctive and enduring sonic identity—music that stands apart from transient trends and genre conventions, and continues to resonate over time. With a strong emphasis on reaching listeners across borders, the label actively licenses its works for various media, including advertising, television, film, and games. Its music has been featured widely around the world, from Hollywood film trailers to corporate commercials and major sports programming.

Model Electronic Records Mission Statement

MER is not just the label’s abbreviated name but another music project of Tatsuya. This project specializes in producing “sync-conscious” instrumental music, adding excitement and imagination to movie trailers, film, TV, and commercials.

Contents

  • Releases from Model Electronic Records
  • Music Licensing Credits / Music Placements

Releases from Model Electronic Records

Please see this page for the latest releases: Model Electronic Releases on Discography

– Public Releases –

MER – Anti-Crime Breaks: Thrilling and Badass Jazz Funk Tracks Captain Funk - Sail and Cruise
Captain Funk - Night Music Dark Model - Driving Orchestral Electro Mix OE - Suchness
Captain Funk - Metropolis Dark Model - Flashback Captain Funk - Oceans 
  OE-New Classics Vol1  Dark_Model-Oath (Original Mix) 
Dark Model - Saga Dark Model - First Album  Captain Funk "Chronicles 2007-2013, Vol. 2" 
Captain Funk "Chronicles 2007-2013, Vol. 1"  Dark Model - Yami  Captain Funk - Versions2011 
Captain Funk "Sunshine"  Captain Funk - Heavy Mellow  Captain Funk - Heavy Metal

– Industry Releases (for media professionals only, Not for Sale) –

Deep Impact – Ultimate Stingers and Bumpers for TV & Film Production – (2021, MER-3005)
Symphony of Victory – Uplifting Orchestral Tracks for Championships and Ceremonies – (2020, MECD-3004)
Rhythms of Victory – Epic Drums, Percussion, and Cheers for Athletes and Fighters – (2020, MECD-3003)
Circle of Friends – Fun & Dreamy Songs Collection (2019, MECD-3002)
You Got Soul – Festive & Upbeat Songs Collection (2019, MECD-3001)

Note: If you are a professional music supervisor and interested in using music from these releases for your project, please contact us via contact form.

Music Licensing Credits / Music Placements

Our music has been licensed and featured in numerous media projects across the globe, from box office film trailers to advertising campaigns. For the details of our sync-licensing achievements, please refer to pages tagged as “Music Placement” in Topics and “Commercial Reels” page.

Model Electronic Records - Music Licensing Credit


You might also be interested in:
    Model Electronic Music Catalog for SyncDiscover Our Music Catalog for Professional Licensing Model Electronic Records - Sync Agent WantedSync Agent Wanted: Help Us Place Our Music in Media
Tags:

Tatsuya Oe Updated: November 23, 2025

Model Electronic Records Catalog for Sync Professionals

Sync Agent Wanted

Experienced Sync Agent Wanted

Licensing Guides & Form

  • Licensing Our Music (for International Users)
  • FAQs about Licensing Our Music
  • How to Work with Performing & Mechanical Rights Organizations
  • Sync Agent Wanted: Help Us Place Our Music in Media
  • Discover Our Music Catalog for Professional Licensing
  • Playlist: Most In-demand Tracks for Sync Licensing

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  • Model Electronic Records
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Microblog

No Title
15 January 2026

AI 特集の番組で、タモリさんが 「人間性(を賛美すること)そのものが胡散臭い」と語っていた。案の定、出演者の誰もその発言の真意を確かめようとしなかった。ヴィクトール・フランクルは「過剰自己観察」という言葉で、自意識過剰がもたらす心身の疲労や機能不全を説明したが、人は「自分の前に鏡を置き、自分のことばかり考える」傾向がある。AIと人間のやり取りは、まさにこの「自己観察(言語化)の無限ループ」に陥る可能性をはらんでいる。

過剰自己観察/反省除去 – ヴィクトール・フランクル・ロゴセラピー研究所 https://themeaningseeker.org/dereflection/

No Title
15 January 2026

布団にくるまり、何か映画でも見ようと思う。幸か不幸か、ジャン・リュック・ゴダールのドキュメンタリーに出会ってしまった。彼は時間芸術、とりわけ王道的な映画が持つ「物語性」を破壊することで革命と混乱を起こした。「物語を信じない」と斬り、自分の人生から作品に至るまで偶然や断片という眼差しで解体したのが、デヴィッド・ボウイだ。世界はいつしか物語まみれの時代に戻り、アルゴリズムに翻弄され、空虚な「辻褄合わせ」に躍起になっている。

【予告編】『ジャン=リュック・ゴダール 反逆の映画作家』 https://youtu.be/jnLjmJXJims

No Title
13 January 2026

エドワード・サイードの代表的著書『オリエンタリズム』で、彼は西欧諸国がつくりあげた東洋へのイメージや偏見を徹底的に批判した。彼自身は複雑でパッチワーク的なアイデンティティーの持ち主であり、自らを「アウト・オブ・プレイス(場違い、部外者)」と定義している。考えようによっては(西洋に追随し帝国主義に走った)日本も「場違いな東洋」だろう。「場違いの国に生まれた場違い」として(笑)、僕は彼の主張に一筋の光を感じる。

エドワード・W. サイード『知識人とは何か』 https://amzn.to/3NmlNTW

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